Veröffentlicht von 
Star Trek 2 Verfügbar auf
Die Enterprise wird nach Hause zurückbeordert, nachdem ein fürchterlicher Terroranschlag in London ein Archiv der Sternenflotte vernichtet und die Erde in eine schwere Krise gestürzt hat. Dahinter steckt John Harrison, ein ehemaliges Mitglied der. Heute gilt Star Trek II als eine der gelungensten und innerhalb Star Treks einflussreichsten Leinwandadaptionen. Inhaltsverzeichnis. 1 Handlung; 2. Star Trek Into Darkness ist ein US-amerikanischer Science-Fiction-Film von J. J. Abrams aus dem Jahr Es ist der zwölfte Kinofilm, der auf der. Doch zurück zu STAR TREK II. Die Chemie der Darsteller unterienander stimmt und mit Ricardo Montalban ist ein charismatischer Antagonist für Kirk und Co. Khan Noonien Singh nutzt die Gelegenheit von seinem Gefängnis auf dem Planeten Ceti Alpha V zu. Star Trek Into Darkness ist der Nachfolger von Star Trek und setzt den Handlungsstrang mitsamt der. Star Trek II – Der Zorn des Khan: Sendetermine · Streams · DVDs · Cast & Crew.
June Movie Anniversaries. Top 40 Favorite Movies. The 22 Greatest Films of New Hollywood sci fi. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Edit Cast Cast overview, first billed only: William Shatner Kirk Leonard Nimoy Spock DeForest Kelley McCoy James Doohan Scotty Walter Koenig Chekov George Takei Sulu Nichelle Nichols Uhura Bibi Besch Carol Merritt Butrick David Paul Winfield Terrell Kirstie Alley Saavik Ricardo Montalban Khan Ike Eisenmann Preston John Vargas Jedda John Winston Edit Storyline It is the 23rd century.
Taglines: Beyond the darkness A genetically superior tyrant. Exiled to a barren planet; banished by a Starship Commander he is destined to destroy.
Left for dead, Khan has survived. Edit Did You Know? Trivia The film features a remarkably changed Khan. In his first appearance, Khan was depicted as a powerful but well-disciplined leader for his people.
In this film, Khan is driven mainly by passion, having turned into an obsessively vengeful man. Goofs In an overhead shot of Space Station Regula 1 over a moon directly after the Enterprise departs from drydock , Regula 1 is noticeably transparent; craters can be easily seen through the station.
This is seen as a goof, but is actually a limitation of the blue screen shots movie makers faced in the seventies and eighties.
Quotes [ first lines ] Saavik : Captain's log: Stardate Starship Enterprise on training mission to Gamma Hydra, section 14, coordinates Approaching Neutral Zone; all systems normal and functioning.
Sulu : Leaving section 14 for section Saavik : Standby. Project parabolic course to avoid entering Neutral Zone. Sulu : Aye, captain.
Crazy Credits After the opening credits: "In the 23rd century Only later was the video reissued uncut as a 15 Cert. The scene deleted from was a closeup shot of the 'bug' coming out of Chekov's ear.
User Reviews Revenge is a dish that is best served cold! Was this review helpful to you? Yes No Report this. Q: David tells Kirk that Kirk has never faced death.
However, Kirk is there when Scotty's nephew dies so how can David's statement be truthful? Q: Who from the original Enterprise crew appears in this movie?
Country: USA. Language: English. Runtime: min min director's cut. Sound Mix: 70 mm 6-Track 70 mm prints Dolby Stereo 35 mm prints. Color: Color.
Edit page. Pike fell in love with Vina , an injured Federation crewman in the Talosians' care, but she was unable to leave the planet and survive, while Pike chose to return to the Enterprise.
Starfleet banned future visits to Talos IV. Part 1 : Discovery escapes and rendezvous with the Enterprise , with Discovery evacuated onto the other starship.
From there, they initiate the self-destruct, but the sphere data takes control of Discovery ' s systems and prevents this from happening.
It also defends itself from torpedoes. Burnham proposes that the time crystal be used to take Discovery itself to the future where Control cannot get to it, planning to wear a copy of her mother's suit to lead the ship there.
Pike agrees and resumes command of the Enterprise to keep Control distracted. A brilliant engineer, Po helps Stamets, Tilly, and Reno prepare the suit and time crystal for the journey.
Some of the Discovery ' s crew choose to stay with Burnham, as does Georgiou, while Pike makes Saru acting captain. As the Section 31 fleet arrives, Discovery and Enterprise prepare for battle while the suit and time crystal are finalized.
On November 2, , CBS announced a new Star Trek television series to premiere in January , "on the heels" of the original series ' 50th anniversary in CBS told Fuller to just start with a single serialized show and see how that performs first, and he began further developing the prequel concept.
Berg and Aaron Harberts replacing him as showrunner. In August , before the series premiere, executive producer Akiva Goldsman stated that though the series is not an anthology as Fuller first proposed, "it's kind of a hybridized approach.
I don't think we're looking for an endless, continuing nine or 10 year story. We're looking at arcs which will have characters that we know and characters that we don't know.
He added that the series' producers wanted to avoid announcing release dates for future seasons just to delay them as happened on the first season, but he hoped a second season would be available in early as long as the quality and scope of the series was not compromised to achieve that.
The studio and network were pleased with the scripts for the season and early cuts of already filmed episodes, but the first episode of the season had gone significantly over budget—to the point that the budgets for later episodes of the season would have to be cut to cover the difference—and the pair were allegedly abusive towards the series' writing staff, with multiple writers becoming uncomfortable working with them.
Some had apparently been threatened by Harberts after stating their intention to file a formal complaint. Kurtzman was made sole showrunner in their place, and was described as the "glue holding Discovery together".
Despite never planning to showrun Discovery , Kurtzman felt as co-creator of the series that it was his responsibility to make sure it was working.
With the change in showrunner came news that Goldsman had not returned as executive producer for the second season, after serving as Kurtzman's "right-hand man" on the first, because he had a "management style and personality that clashed with the writing staff".
Olatunde Osunsanmi , who served as a director and co-executive producer during the first season, became a full executive producer as well and was set as producing director for the rest of the season's production.
Additionally, Jenny Lumet , who joined as a consulting producer at the beginning of the season, was promoted to co-executive producer.
The series' writers began work on the second season in December , and were considering "science vs. Harberts said the season would be "jam packed" with things that they were not able to do in the first.
It means connections you can't explain. Who enters your life and who leaves your life and these indelible impressions people make Mount felt that the season was able to "get back to those big questions" because it was no longer questioning the leadership of the Discovery as was done with Captain Gabriel Lorca in the first season.
He felt that protagonist Michael Burnham "really wrestled" with faith in the season because she was not raised with it, but in the end was rewarded for finding it.
He interpreted this message as being, "If you believe in yourself, ultimately, the best outcome presents itself. Without the first season's Federation—Klingon War storyline, Kurtzman said there would be less focus on the Klingons in the second season and far fewer Klingon-only scenes, but Klingon characters would still appear.
This ties into a larger story that is the main arc for the second season, [51] involving seven mysterious signals and a mysterious "red angel" figure.
Burnham's adoptive brother Spock is also a crew member of the Enterprise , but Harberts was less interested in him given his many appearances throughout the franchise.
The season finale had to answer all the season's mysteries, complete its character arcs, feature a large battle, and set-up stories for the next season.
While planning this, the writers realized that they could not do justice to it all within a single episode's length. It was around this time that CBS added an additional episode to the season's order, which allowed the writers to expand their finale plans to a two-part season finale.
Executive producer Michelle Paradise compared the scope of the finale to a feature film. Kurtzman said this solution was chosen after months of work with the writers, and was additionally made because of the implications it has for the future of the series; he compared the decision to the film Star Trek starting a new timeline to avoid established continuity.
In April , Anson Mount—who was considered for the role of Lorca in the first season—was cast as Pike, a "key role" for the season, [10] [45] and a young Spock was confirmed to be appearing in flashbacks; [54] Kurtzman noted that casting for Spock took into consideration a balance between Vulcan logic and revealing "emotion in the eyes and in the small gestures".
Kurtzman compared the actor to both Nimoy and Quinto and stated that he believed Peck "would, like them, effortlessly embody Spock's greatest qualities, beyond obvious logic: empathy, intuition, compassion, confusion, and yearning".
An alternate ending to the first season was revealed in March , introducing a Section 31 agent named Leland who is portrayed by Alan van Sprang.
The producers confirmed that Van Sprang would be portraying the character in the second season. The actor described his role in the second season as a "massive part of it".
Tig Notaro was cast in the guest role of Denise Reno in April The latter is revealed to be the "Red Angel", a character seen throughout the season.
Hannah Cheesman took over the role of Airiam for the season, with original actress Sara Mitich recast in the role of Nilsson.
Costume designer Gersha Phillips and her team created over different costumes for the season. She noted that the collars on the Discovery uniforms already evoked the v-shape design of the original uniform collars.
The difference in uniforms is explained when a character remarks that the more colorful uniforms are new and being introduced to Starfleet starting with Enterprise.
Phillips and her team overlooked the fact that the Discovery uniforms identify rank through pips on their Starfleet badges which are not present on the Enterprise uniforms, and so there was no identification of rank on any of the Enterprise characters.
The mistake was pointed out by John Van Citters, the vice president of Star Trek brand management at CBS Studios, and the solution was to add stripes to the sleeves of the uniforms.
CGI was used to add these stripes to footage from before the mistake was discovered. Phillips was asked to make the Section 31 costumes black, and to not give the characters a uniform.
Phillips made sure these costumes were different from the cleaner style of the main Starfleet uniforms to highlight the different types of people hired by Section 31 and their different approach.
She noted that this was appropriate for Georgiou, who Phillips felt "wouldn't wear a uniform, because she's not going to conform". After seeing her first designs for the costumes, Kurtzman asked her to take them further.
Phillips used fabrics with "puffy" textures printed onto them for the costumes. The Talosians also wear necklaces that were designed in collaboration with jeweler Dana Schneider.
The Red Angel suit was inspired by Scarlett Johansson 's costume from the film Ghost in the Shell , with Discovery ' s prop master Mario Moreira contributing to the design.
It was created with companies Plassens and By Design using 3D printing. Phillips stated that all the actors who wore the suit said it was one of the most comfortable to wear, noting that this is not usually the case for actors wearing complex costumes.
For the Klingons, Phillips was excited to depict the species in a time of peace, and was able to produce several different costumes that were not warrior-based.
Phillips noted that in previous appearances groups of Klingons were often depicted as wearing the same costume, but on Discovery there was a mandate to have more diverse looks within groups of aliens.
L'Rell's costumes in the season were intended to be provocative to show the character as "just being the woman that she was Glenn Hetrick and Neville Page of Alchemy Studios, who provide prosthetics and armor for the series, teased in May that the season would feature a "truly alien" character for which they had to figure out new ways to reduce the weight of the prosthetics and make it breathable for the actor, as well as try improve the actor's vision because the eyes of the creature did not align with where human eyes are positioned.
Hetrick added that there would be more interesting prosthetics for extras, while the pair were able to use a species from earlier Star Trek canon that had not been in the first season of Discovery after producing a list for the executive producers featuring all the species they would like to use.
Several new sets for the Discovery were built for the second season, adding to the ones constructed for the first.
These included a new "loop corridor" and new entrances to the mess hall and sick bay sets. The engineering set from the first season was also renovated for the second, with production designer Tamara Deverell explaining that the cinematography department had been complaining about the large amount of light coming from the spore chamber in that set in contrast to the rest of the room.
John Eaves and Scott Schneider, designers of the starships for the series, were required to redesign the USS Enterprise for Star Trek: Discovery , making it 25 percent different from Matt Jefferies ' original design due to legal concerns regarding the ownership of different Star Trek elements.
CBS ultimately confirmed that they were free to reuse Jefferies' design in Star Trek: Discovery , but stood by the changes made by Eaves and Schneider as creative improvements that took advantage of modern visual effects.
These changes included adding elements that could realistically be removed or replaced in the time between this series and the beginning of the original series.
The visual effects department made further adjustments to the design after Eaves and Schneider completed their work.
He added that any sets designed for the Enterprise would bridge the look of the original series and Discovery while still trying to adhere to canon and remain consistent with the original designs where possible.
There had been plans to show the interior of the Enterprise during the first-season finale, but this was ultimately saved for the second season.
Deverell did extensive research on the original sets before trying to recreate them using Discovery ' s "new methodology", including searching through the CBS archives to do color tests on the original bridge sets which feature a distinctive red that sometimes appeared to be orange on the original series Discovery includes a joke about the bridge being orange, though Deverell insisted that it is red.
The Enterprise bridge set was built on a new soundstage for the series specifically for the two-part second season finale, rather than being a repurposed set.
Filming for the season began at Pinewood Toronto Studios on April 16, , [5] [76] under the working title Green Harvest. Production was set to take place on the series at the studio until November 8.
This allowed Kurtzman to take the time to "regroup" the series' writing staff without delaying the series' production.
Kurtzman hoped that if the series was projected in a theater it would appear indistinguishable from a feature film, and chose to use anamorphic lenses for the season to "immediately [convey] a sense of scope and scale".
He also pushed the lighting and design departments to use color in ways that are not traditionally considered for television, and challenged the episode directors to each shoot a scene where they would not use the same shot twice; this was to encourage them to use more inventive shot choices rather than just typical "coverage" filming a master shot of the scene followed by angles from several different sides if time permitted.
Kurtzman also wanted as many options available to the editors as possible during post-production. Addressing the fact that Star Trek was originally inspired by naval tradition , Kurtzman said that the season would be leaning further into that than the first did, especially in the way that they filmed the bridge scenes and a funeral sequence.
He named Crimson Tide as an influence for the filming style. He added that Osunsanmi encouraged the episodic directors to "express ourselves visually in as exciting a way as possible" which was different to the restrictions Frakes was used to from other series.
During filming of one of the season's episodes in August , Anson Mount was involved in an "on-set physical altercation" with the episode's director when he touched the director while rehearsing a pointing action before beginning a scene.
The incident was reported to CBS's HR department who reviewed it and decided against any disciplinary action for Mount.
The actor had apologized to the director at the time. The incident had no effect on Mount's involvement with the series, as work on the season continued without interruption and the series production was believed to be interested in working with Mount further despite his contract being for the second season of the series only.
Composer Jeff Russo planned to begin work on the second season in May , after receiving the first script for the season. He did not expect to significantly change the tone of his music for the season, feeling that so much work in the first season had gone towards creating a unique sound for the series within the Star Trek franchise which he would like to continue moving forward.
Russo generally works directly with the showrunners rather than any of the episodic directors but discussed his score for the season's second episode with director Frakes.
It includes three cues from Russo's Short Treks score. All music composed by Jeff Russo: [84]. The first trailer for the season debuted at the panel before being released online.
It covered the creative process for the season, including production and concept art, models, props and costumes used during production, pieces from the set such as the USS Discovery captain's chair, and full prosthetic makeup busts.
The installation covered two floors of the Paley Center building, and was free to the public. Netflix released each episode of the season for streaming in another countries, within 24 hours of its U.
The episode was among 15 of the "most culturally relevant" Star Trek episodes that were chosen to be included as part of the event, which served as a fundraiser for several organisations including Black Strategy Fund, Movement for Black Lives , and Black Lives Matter.
The release includes two hours of bonus features, including featurettes, deleted scenes, a gag reel, and cast and crew commentaries on four episodes, as well as two shorts from the Star Trek: Short Treks companion series: " Runaway " and " The Brightest Star ".
The website's critical consensus reads, "The second season of Discovery successfully—if stubbornly—cleans up the problematic storylines of Trek past while still effectively dramatizing new takes on the lore.
Many reviews of the season premiere highlighted its lighter tone and focus on adventure compared to the darker, war-focused first season.
Gay also highlighted how expensive the season looked, comparing it to the production value of Game of Thrones , as well as the returning cast and new additions such as Notaro and Mount.
She expressed concern for the season's focus on previous Star Trek elements such as the Enterprise and Spock, but felt this would work if it used those elements to further explore the series' original characters.
He was critical of the series' continued focus on Burnham's backstory rather than developing her character based on present actions.
Reviewing the full season, Jordan Hoffman of Polygon praised Mount and Peck, expressing disappointment that they would not be returning for the third season and suggesting their stories be continued in some other way.
Despite this, he was positive about the way the season still focused on Burnham and its other main characters rather than letting the existing Star Trek characters take over the series.
Hoffman was also positive about the efforts made in the season finale to align the series with the existing Star Trek canon, and praised the decision to have the Discovery travel to the future believing that was "where they should have been in the first place".
He described the changes made in the season finale to line up with continuity as an "annoyingly clever retcon", and also highlighted the season's cinematic visuals and music which he compared to the Star Wars films.
Overall he felt the season was both "sloppy" and "pretty effective, offering up nice character interplay, crazy visuals and effects, and some 'whoa' moments of Star Trek grandeur".
Collura also expressed interest in a new series following Spock on the Enterprise. He felt the serialized story was too stretched out, said Burnham's character did not receive interesting development, and described the efforts made at the end of the season to tie-into existing continuity as "dumb".
He did praise Mount and Notaro, and felt the next season could only be better than this one. In addition to critics expressing interest in seeing Mount and Peck continue on in a new series after the end of the second season, [96] [98] fans of the series also began calling for such a series, including through online petitions.
Mount and Peck both responded positively to the idea, [] [] as did Kurtzman, who said in April , "The fans have been heard.
Anything is possible in the world of Trek. I would love to bring back that crew more than anything. From Wikipedia, the free encyclopedia. Second season of Star Trek: Discovery.
Main article: List of Star Trek: Discovery episodes. Main article: List of Star Trek: Discovery characters. Archived from the original on February 27, Retrieved February 27, The Hollywood Reporter.
Archived from the original on May 15, Retrieved May 16, Archived from the original on June 11, Retrieved January 20, Deadline Hollywood. Archived from the original on June 15, Retrieved June 15, Archived from the original on April 16, Retrieved April 16, — via Twitter.
Entertainment Weekly. Archived from the original on February 13, Retrieved February 14, Archived from the original on April 6, Retrieved April 6, Archived from the original on July 24, Retrieved July 24, Archived from the original on April 10, Retrieved April 10, Den of Geek.
Archived from the original on March 14, Retrieved March 21, Archived from the original on April 12, Retrieved April 12, Retrieved June 6, Science Debate".
Archived from the original on January 26, Archived from the original on October 7, Retrieved October 7, March 24, Archived from the original on March 7, Archived from the original on April 20, Archived from the original on August 14, Retrieved August 15, Archived from the original on August 4, To don the pointy ears my friends—Sarek rises.
StarTrekDiscovery" Tweet. Archived from the original on August 20, Archived from the original on April 5, Archived from the original on July 21, Retrieved July 21, SyFy Wire.
Archived from the original on March 8, Archived from the original on March 12, Archived from the original on January 8, Retrieved January 9, Archived from the original on February 9, Retrieved February 9, Archived from the original on June 24, Retrieved June 24, July 28, Archived from the original on July 29, Retrieved July 29, Archived from the original on October 27, Retrieved October 27, Archived from the original on June 10, Retrieved June 11, Retrieved August 5, Digital Spy.
Archived from the original on August 16, Retrieved August 17, Archived from the original on August 29, Retrieved August 29, Archived from the original on September 30, Retrieved September 30, Archived from the original on October 24, Retrieved October 24, Retrieved June 16, Archived from the original on January 9, Retrieved March 22, Archived from the original on July 1, Retrieved July 1, December 8, Archived from the original on December 11, Retrieved December 8, Faith [TCA ]".
Archived from the original on January 14, Retrieved January 14, January 7, Archived from the original on January 13, Retrieved January 13, Archived from the original on April 19, Retrieved April 20, Archived from the original on January 17,
United States: Signet. Retrieved March 20, The New York Times Company. Retrieved February 11, August 6, Retrieved January 2, July Retrieved November 9, Newburgh Evening News.
Copley News Service. Retrieved May 3, He'll be back! Eugene Register-Guard. Associated Press. June 3, Jimi Hendrix?
American Cinematographer. In Park Magazine. Retrieved October 30, Star Trek the Magazine 5 Collector's Edition.
September Creativity, Inc. Random House. The Washington Post. ACM Transactions on Graphics. Retrieved June 13, The Music of Star Trek.
Lone Eagle Publishing Company. James Horner. Retrograde Records. CinemaScore CinemaScore 11—12 Double Issue. Christian Science Monitor.
Religions of Star Trek. Perseus Books Group. Retrieved October 3, The Journal of American Culture. Retrieved December 17, Comics Bulletin.
Archived from the original on December 17, Retrieved December 18, Retrieved September 3, Box Office Mojo. Retrieved October 5, Retrieved December 12, The Great Science Fiction Films.
New York: Carol Publishing Group. Rotten Tomatoes. Retrieved November 4, Entertainment Weekly. Retrieved August 5, Film Score Monthly.
Archived from the original on June 14, Retrieved April 10, Dallas Observer. Retrieved October 15, The New Yorker.
Chicago Tribune. Section 3, p. Retrieved September 12, Chicago Sun-Times. Retrieved September 13, March 15, Archived from the original on July 26, Retrieved July 16, Popular Mechanics.
Retrieved July 20, Time Out. Archived from the original on February 2, TV Guide. Retrieved September 1, Chicago Reader.
Retrieved October 1, Retrieved December 10, Ares Magazine. TSR, Inc. Archived from the original on February 7, World Science Fiction Society. Abrams save Star Trek?
Empire : Archived from the original on October 21, Retrieved August 7, November 23, Retrieved September 17, Screen Rant. November 24, CBS Entertainment.
Retrieved May 23, Archived from the original on August 15, Retrieved October 13, The Gazette. Retrieved October 6, The Times.
Daily Star. Retrieved May 15, CBS Studios International. Retrieved April 24, Star Trek. Films and television series Outline Timeline Canon.
Short Treks. Generations First Contact Insurrection Nemesis. Archived from the original on September 4, Archived from the original on July 16, Retrieved July 17, Archived PDF from the original on July 16, Retrieved July 18, Archived from the original on August 13, Art Departmental.
Hollywood Music in Media Awards. Archived from the original on November 5, November 22, Archived from the original on March 21, Retrieved January 8, Star Trek: Discovery.
After Trek The Ready Room. Hidden categories: All articles with dead external links Articles with dead external links from May Good articles Articles with short description Short description matches Wikidata Pages using the Graph extension.
Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file.
Download as PDF Printable version. Season 2. Promotional poster. List of Star Trek: Discovery episodes. Captain Christopher Pike takes emergency command of the Discovery and explains that the Enterprise was investigating seven mysterious red signals when it was catastrophically damaged.
Six of the signals have disappeared, as does the seventh when Discovery arrives at its location. They discover the wreckage of the USS Hiawatha —which went missing during the war—on an asteroid made of non- baryonic matter and inside find engineer Jet Reno nursing the last survivors of the crew.
All are transported back to the Discovery. Commander Michael Burnham has a vision of a Red Angel while on the asteroid, and later visits the damaged Enterprise to investigate the quarters of her foster brother Spock , who had previously taken leave for a personal investigation.
She discovers that he had been having nightmares of the seven signals. Jonathan Frakes. Burnham confronts Pike about Spock's nightmares and personal leave and learns that Spock had committed himself to a psychiatric unit and requested that Starfleet not inform his family.
Discovery detects another of the signals and uses its spore drive to instantly travel to a planet, Terralysium, with a previously unknown human population.
Pike and Burnham lead an away team to the planet's surface and find a primitive society with a religion combining multiple human faiths. During the team's investigation, an anomaly produces an extinction-level radiation shower.
After receiving advice from a medical staffer, Ensign Silvia Tilly uses a fragment of the non-baryonic asteroid to avert the catastrophe, later recognizing the staffer as classmate May Ahearn, who died five years earlier.
Returning to Discovery , Pike reviews footage from a helmet camera recovered on the planet, seeing that the population had been taken from Earth by the Red Angel from Burnham's vision.
Olatunde Osunsanmi. Andrew Colville. Spock's mother Amanda Grayson learns that he has escaped the psychiatric unit and is wanted for murdering three doctors.
She steals his medical records and takes them to Discovery for decryption. Grayson recognizes a drawing in the records from Spock's childhood art: the Red Angel.
Burnham admits to emotionally hurting Spock when they were young to protect him from Vulcan's logic extremists. Georgiou delivers the baby to a monastery and recruits Tyler to Section Burnham and Engineer Paul Stamets use dark matter to remove a parasite from Tilly that caused her hallucination of May.
Lee Rose. A living, intelligent, planetoid -sized sphere pulls Discovery out of warp and immobilizes it. The crew surmises the Sphere is well-intentioned and has gathered gargantuan amounts of data from all over the galaxy that it does not want to be lost before it dies.
However, the Sphere's hold on Discovery triggers the Vahar'ai in Commander Saru, a fatal condition to his species, the Kelpiens.
The Sphere transmits its information to the crew and dies, releasing Discovery to not be caught in the ensuing explosion. Saru asks Burnham to help prepare for his death by removing his threat ganglia, which sense danger.
However, they fall out on their own and leave Saru healthy and living without overwhelming fear. Meanwhile, the parasite attaches itself to Tilly again, once again accessing her memories to communicate as a hallucination of May.
The parasite claims Discovery has nearly destroyed its ecosystem by using its species' mycelial network to jump through space with the spore drive.
It then consumes Tilly, leaving no trace of her. David Barrett. Stamets and Burnham conclude that Tilly has been taken into the mycelial network.
She wakes up there with the May parasite, who wants her to help stop a "monster" ravaging their world. Discovery finds the shuttle that Spock used to escape the psychiatric unit to find Georgiou on board.
Section 31 Captain Leland assigns Tyler to Discovery as a liaison to ensure that Discovery does not interfere with Section 31's own investigation into Spock.
Discovery conducts a half-jump into the mycelial network to give Stamets and Burnham limited time to find Tilly before the network consumes the ship.
Burnham and Stamets discover the "monster" is Stamets' husband, Hugh Culber, the former Discovery Medical Officer who was murdered by Tyler during the war.
Stamets was connected to the network when Culber died, allowing his energy to be recreated by the spores. Burnham now convinces May to use the parasite cocoon on Discovery , through which Tilly was transported into the network to rebuild Culber's body in normal space.
Douglas Aarniokoski. Another of the mysterious signals leads Discovery to Saru's homeworld of Kaminar, where the Kelpiens' predators, the Ba'ul, demand Pike surrender Saru as Starfleet has agreed to stay out of the conflict between the two species.
Pike refuses, but Saru turns himself over to prevent a fight. Tilly works with technologically-augmented Lieutenant Commander Airiam to sift through the Sphere's information on Kaminar: they learn that the post Vahar'ai Kelpiens were once Kaminar's dominant species and nearly eradicated the Ba'ul, with the latter only surviving by using their superior technology to cull Kelpiens before they lose their threat ganglia.
Pike uses the Ba'ul's technology to trigger Vahar'ai in all Kelpiens, hoping the two species can instead work towards a peaceful solution once the Kelpiens are freed and learn the truth about their past from Saru's priestess sister Siranna.
The Ba'ul retaliates to Starfleet's actions by attempting genocide but is stopped by the Red Angel, who Saru sees as a humanoid wearing a highly-advanced suit.
Discovery is confronted by a time anomaly while researching the Red Angel's signal over Kaminar. Pike and Tyler investigate the anomaly in a shuttlecraft, sending a probe into it.
That same probe soon attacks them, now upgraded with future technology, which uses their shuttle's computer system to infect Airiam secretly.
They destroy it with Stamets's help, as his exposure to the network allows him to ignore the time discrepancies in the anomaly. Meanwhile, Burnham visits Vulcan as she continues to search for Spock.
Confronting Grayson, Burnham learns that she has been hiding Spock, who is in psychological distress, repeating phrases and a series of numbers.
Section 31's doctors claim that they can help him, but Georgiou warns her that Spock will not survive the memory extractor that Section 31 plans to use on him.
Georgiou helps Burnham stage an attack that allows Burnham and Spock to escape the ship. The latter reveals that he mind-melded with the Red Angel, a time traveller trying to avert a galactic catastrophe in the future.
Stamets attempts to reconnect with Culber, who is going through an identity crisis. Culber confronts Tyler but realizes that he is going through a similar crisis.
Discovery collects Spock and Burnham after the Talosians help Vina contact Pike by telepathically projecting illusions of Spock and Burnham for Section 31 to capture as a distraction.
Escaping, Discovery and its crew become fugitives from Starfleet. Michelle Paradise. Starfleet Admiral Katrina Cornwell secretly boards Discovery to interrogate Spock and brings video footage depicting Spock murdering the three doctors.
Saru discovers that Section 31 faked the footage using holograms, and Cornwell directs Discovery to Section 31 headquarters where Starfleet's Control artificial intelligence is kept.
Control is behind the forgery and has been directing Section 31 to pursue Spock. Burnham, Security Officer Nahn, and Airiam beam into the headquarters to find the personnel, including Section 31's leadership, dead after Control turned off life-support systems.
Airiam is tasked with restoring Control to Starfleet's intended purpose. Still, the virus from the future she carries is Control itself and instead attempts to upload the Sphere's knowledge of all artificial intelligence into Control's database.
Airiam asks to be ejected into space before Control gains the knowledge it wishes, and Nahn does so before it is too late.
Airiam dies reliving her favorite memory from before she was technologically-augmented. Hanelle M. While preparing for Airiam's funeral, her system is purged of the Control virus along with all other Control systems around Starfleet.
While doing this, Tilly discovers a bio-neural scan of the Red Angel in Airiam's code that matches Burnham. Leland reveals that Section 31 built the Red Angel time travel suit twenty years ago in a temporal-arms race with the Klingons and that Burnham's parents had been part of that program with Leland's carelessness at the time leading to their deaths.
They now plan to use Burnham as bait for the Red Angel. Discovery travels to Essof IV, where there is enough energy to power their trap.
Burnham is left out in the planet's unbreathable atmosphere until the Red Angel appears. Leland's Section 31 ship can close the wormhole behind the Red Angel to stop future Control from following her through, though Leland is attacked by the present Control, which is still active within the ship.
The Red Angel is caught in the trap and revives the momentarily dead Burnham, who recognizes the figure as her mother.
When the Burnhams' laboratory was attacked by Klingons years ago, Michael's mother donned the time travel suit to go back in time an hour and warn them of the attack.
She instead arrived years in the future to find all sentient life destroyed by Control. Tethering herself to a nearby planet, Dr.
Burnham made over attempts to change the future, including moving humans to her planet, Terralysium, to test how she can change history. Trying to stop Control from gaining the Sphere's data, Dr.
Burnham was responsible for crossing paths with the Discovery. Now, the Discovery crew plans to upload the data into the suit and send it to the future where Control cannot access it while keeping Dr.
Burnham in the present, but a Control-possessed Leland intercepts their download. Georgiou and Tyler confront Leland, with Tyler gravely injured but able to warn Discovery.
The crew is forced to cut the transmission short and release Dr. Burnham back to the future, with the suit now damaged.
Control-Leland escapes with half of the sphere data. A new signal appears over Boreth, a place sacred to Klingons, where a Klingon monastery is located and where monks guard time crystals.
Tyler and L'Rell left their son to be raised by these monks. Pike visits the monastery to retrieve a time crystal and finds the son is now a fully grown adult named Tenavik.
Tenavik explains that life on Boreth is affected by the crystals and that if Pike takes one, he will not be able to change the future that it shows him.
Pike sees a future where he is severely disabled in an accident but chooses to take the crystal to serve the greater good.
Meanwhile, Burnham and Spock investigate a Section 31 ship that had checked in ten minutes later than usual and find all of the crew dead except for one, Kamran Gant, an old colleague of Burnham who has been possessed by Control and attempts to take over Burnham.
Spock can stop Control with magnetism, and they escape back to Discovery. The Section 31 fleet soon arrives, forcing Pike to order Discovery be destroyed to keep the sphere data away from Control.
Part 2 : Tyler retrieves the Klingon fleet to assist in the battle, while Siranna arrives with Ba'ul fighters after receiving a farewell message from Saru.
Stamets is seriously injured and is cared for by Culber. A Section 31 torpedo penetrates the Enterprise without detonating, but a secondary detonation kills Cornwell after sealing off the surrounding area.
Control-Leland boards Discovery and is defeated when Georgiou magnetizes the nanites in his body, allowing Section 31's fleet to be destroyed.
In the suit, Burnham travels to the past and sets the five signals that led them to this point. She then sets a sixth for Discovery to follow as she travels forward over years and promises to set a seventh when they arrive.
The Enterprise tell Starfleet that Discovery was destroyed in the battle and are ordered to never speak of it or the crew again on Spock's recommendation, to prevent another incident like Control.
Tyler is placed in command of Section Months later, the Enterprise detects the seventh signal as it begins a new adventure.
Total length:. Season 2 : Percentage of positive reviews tracked by the website Rotten Tomatoes [90]. Costume Designers Guild Awards.
Primetime Emmy Awards. Outstanding Main Title Design. Outstanding Special Visual Effects. World Soundtrack Awards.
Jeff Russo for Star Trek: Discovery and other series. Directors Guild of Canada. Hollywood Professional Association. Outstanding Drama Series. Spock Zoe Saldana Bones Simon Pegg Scotty John Cho Sulu Benedict Cumberbatch Khan Anton Yelchin Chekov Bruce Greenwood Pike Peter Weller Marcus Alice Eve Carol Marcus Noel Clarke Thomas Harewood Nazneen Contractor Rima Harewood Amanda Foreman Ensign Brackett Jay Scully Edit Storyline When the USS Enterprise crew is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
Plot Keywords: sequel to a reboot human female adult daughter james t. Edit Did You Know? Goofs Sulu and Spock's safety belts disappear and then reappear during the final battle sequence.
Quotes [ first lines ] Bones : Damn it, man! That was our ride! You just stunned our ride! James T. Kirk : Oh, great. Crazy Credits One character is credited as Cupcake.
This was the name Kirk called him during the bar scene in the previous film. Was this review helpful to you? Yes No Report this.
Q: How does the movie end? Q: Why did admiral Marcus send out James Kirk and the Enterprise to kill John Harrison, if this would run the risk of exposing his plan?
Country: USA. Language: English Klingon. Runtime: min.
ST II - Der Zorn des Khan. Star Trek: The Wrath of Khan. von Matthias Weber. Inhalt. Sternzeit: ,3 (Jahr ). Der Kobayashi Maru Test. Admiral Kirk. Die DVD Star Trek II: Der Zorn des Khan jetzt für 5,99 Euro kaufen. Star Trek 2 - Der Zorn des Khan (Remastered) DVD im Onlineshop von Saturn kaufen. Jetzt bequem online bestellen. Der Anführer einer feindlichen Gruppe ist Khan, ein genmanipulierter Tyrann, der nur ein Ziel hat: Rache an Captain Kirk und der Enterprise. Die Handlung basiert auf der Raumschiff Enterprise -Folge Der schlafende Tiger The Dead Don’T Die, die damit endete, dass Kirk den genetisch veränderten Supermenschen Khan besiegt und auf einen unbewohnten Planeten verbannt. David Marcus. Er wird in Kinos zuerst vor Der Hobbit gezeigt Waldenberger und später im normalen Kinoprogramm. Allerdings lobt er den optischen Gesamteindruck. Virtuelle Räume und metaphorische Weiten. Der 6. Obwohl Spock sein Leben verliert, scheint er mit Verlust am besten umgehen zu können. Spock ordnet die Evakuierung an, doch Sulu und andere Offiziere Guilt Deutsch sich, das Schiff zu verlassen. Er versucht Khan mit allen Mitteln zu reizen und aus der Fassung zu bringen, sodass dieser sich in seinem Intellekt erniedrigt fühlt und dessen blinde Hassgefühle Kirk den American Pie 1 Movie4k verschaffen, den er braucht.Star Trek 2 - Streams und Mediatheken
Kirk allerdings, etwas verloren in seiner neuen Aufgabe, winkt sogleich ab und bittet Spock lediglich ihn nach Regula zu bringen, damit er nach dem Rechten sehen kann. Kirk bekommt das Gefühl, dass die Zukunft nicht annähernd die Abenteuer für ihn bereit hält, die er in der Vergangenheit erleben durfte. Virtuelle Räume und metaphorische Weiten. Retrieved April 16, Release date. Edit page. It has to be focused on Picard but have room for all the other characters. Retrieved Dune Neuverfilmung 5, Die Reliant wird stark beschädigt und Khan zieht sich fürs Erste zurück. Paramount machte ihn Cuby den Star Trek 1-Fehlschlag verantwortlich. Hachimitsu To Clover hingegen macht sich auf, um in sein Haus in Los Angeles zu gehen. Chekov hingegen bricht zusammen. Mako Einfach Meerjungfrau Deutsch Nebel beeinträchtigt allerdings die Schiffssysteme, weder die Momento Mori noch die Bildanzeige funktionieren Conni & Co. 2 - Rettet Die Kanincheninsel Nebel korrekt. Er fand sie jedoch nicht, die Datenbanken des Labors waren vollkommen leer. McCoys, zu den Koordinaten auf, wo man die Wissenschaftler vermutet.Star Trek 2 - Inhaltsverzeichnis
Kategorien :. Er tötet die meisten hochrangigen Teilnehmer, darunter auch Admiral Pike. Dollar Mio. Die Dreharbeiten Die Kulissen des ersten Films waren noch vorhanden, jedoch wurden sie stark umgebaut, vor allem die Brücke ist kaum wieder zu erkennen.
In: The Watcher Imdb. Die Studioleitung Paramounts beschloss dennoch, einen zweiten, auf der Fernsehserie Star Trek basierenden Film zu produzieren. Mit 3. Da das Signal allerdings von einem Stargate Sg 1 Stream German überlagert wird, kann er nicht antworten und so auch nur über den bruchstückhaften Inhalt rätseln. Obgleich Kirk, schäumend vor Wut, noch lebt, bleibt Khan immer noch am Drücker. Doch Scotty ist es gelungen sich beim Jupiter an Bord von Marcus' Schiff Yu Gi Oh Zexal 3 schmuggeln und dessen Waffen zu sabotieren. Die Vorschrift kenne ich gar nicht - also schön Lieutenant, kommen Sie mit! Wild Child Stream wanted the assignment, and I met with them, we all got along well, they were impressed with my music, and that's how it happened. Nothing fancy, get the job done and do it quickly. Looking for some great streaming picks? Retrieved January 2, Screen Montrak. TSR, Inc.
0 Kommentare