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Spider-Man Film Serie Verfilmung als Serie
Peter Parker hat überdurchschnittliche Fähigkeiten in naturwissenschaftlichen Fächern. Sein Hobby ist die Fotografie und in der Schule wird er als Nerd abgestempelt. Sein bester Freund Harry ist das komplette Gegenteil. Er ist beliebt, reich und. Dabei handelt es sich um Episoden aus der TV-Serie "Spider-Man - Der Spinnenmensch", die für einen Kinostart in Deutschland unter dem. Als Vorlage diente die gleichnamige Comicserie Spider-Man. Die gleichnamige Hauptrolle wurde mit Tobey Maguire besetzt. Bis zum August spielte der. Es gibt drei Auskopplungen aus der Serie, die als Filme auch in Europa synchronisiert und gesendet wurden. Zwischen den Jahren wurde die TV-Serie „The Amazing Spider-Man” in den USA als Realverfilmung produziert. Spider-Man – Der Spinnenmensch (Original: The Amazing Spider-Man) ist die erste Auskopplung aus der Serie die in Europa als Film. ich kenne die serie zwar kaum aber zudem was ich kenne mass ich sagen,das japanische ist besser. Stevie (geb. ) am Uhh, diese "Filme" fand.
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Please users, remove this template ONLY if the article has updated with original content. The Spider-Man film series consists of superhero films based on the fictional Marvel Comics character of the same name.
The rights to a motion picture based on Spider-Man were purchased in and moved through various production companies and studios, at one point having James Cameron to direct, before being secured by Sony Pictures Entertainment.
Sony hired comic book fan Sam Raimi to direct the first three films. A sequel to Homecoming is slated for Each film set several box office records, with all three included in the top 20 highest-grossing domestic films as well as the top 25 highest-grossing worldwide films.
Critics have given the first two films positive reviews, while the third film has received mainly mixed reviews. The series has been released on both Blu-ray and DVD.
Both a fourth and a fifth film were planned and at one time the idea of shooting the two sequels concurrently was under consideration.
However, Raimi stated in March that only the fourth film was in development at that time and that if there were fifth and sixth films, those two films would actually be a continuation of each other.
In , Raimi expressed interest in portraying the transformation of Dr. Felicia Hardy would have had an affair with Peter Parker in order to shatter his engagement with Mary Jane.
These rumors were never confirmed. Raimi reportedly ended his participation due to his doubt that he could meet the planned May 6, release date while at the same time upholding the film creatively.
Raimi purportedly went through four iterations of the script with different screenwriters and still "hated it". All three films were released on DVD, the first two being released exclusively as two-disc sets, with the third film being released in both single and two-disc editions.
Spider-Man 3 was initially the only Spider-Man film to be released individually on the high-definition Blu-ray format.
The first two films were made available on Blu-ray, but only as part of a boxed set with the third film, called Spider-Man: The High-Definition Trilogy.
Ock reconstructs his cyclotron and causes electromagnetic abnormalities, anti-gravity effects, and bilocation which threatens to engulf New York and the world.
The new director hired Barney Cohen to rewrite the script. Cohen, creator of TV's Sabrina the Teenage Witch and Forever Knight, added action scenes, a non-canonical comic for the villain, gave Doc Ock the catch phrase, "Okey-dokey", and altered his goal from the Fifth Force to a quest for anti-gravity.
Producer Golan using his pen name "Joseph Goldman" then made a minor polish to Cohen's rewrite. Zito scouted locations and studio facilities in both the U.
The up-and-coming actor Tom Cruise was also discussed for the leading role. Zito considered Bob Hoskins as Doc Ock. Stan Lee expressed his desire to play Daily Bugle editor J.
Jonah Jameson. Director Zito opted out, unwilling to make a compromised Spider-Man. The company commissioned low-budget rewrites from writers Shepard Goldman, Don Michael Paul, and finally Ethan Wiley, and penciled in company workhorse Albert Pyun as director, who also made script alterations.
Scott Leva was still associated with the character through Marvel he had appeared in photo covers of the comic , and read each draft.
Leva commented, "Ted Newsom and John Brancato had written the script. It was good but it needed a little work. Unfortunately, with every subsequent rewrite by other writers, it went from good to bad to terrible.
He also extended his Spider-Man option with Marvel up to January Golan shelved the low-budget rewrites and attempted to finance an independent production from the original big-budget script, already budgeted, storyboarded and laid out.
Stephen Herek was attached as director at this point. Golan submitted this "new" screenplay to Columbia in late actually the script with an adjusted "" date and the studio requested yet another rewrite.
Golan hired Frank LaLoggia, who turned in his draft but grew disenchanted with 21st Century. Neil Ruttenberg was hired for one more draft, which was also "covered" by script readers at Columbia.
Said Stan Lee in , "21st Century [is] supposed to do Spider-Man and now they're talking to Columbia and the way it looks now, Columbia may end up buying Spider-Man from 21st Century.
In , he contacted Canadian effects company Light and Motion Corporation regarding the visual effects, which in turn offered the stop-motion chores to Steven Archer Krull, Clash of the Titans.
Toward the end of shooting True Lies, Variety carried the announcement that Carolco had received a completed screenplay from James Cameron.
The script text was identical to the one Golan submitted to Columbia the previous year, with the addition of a new date. Cameron stalwart Arnold Schwarzenegger was frequently linked to the project as the director's choice for Doctor Octopus.
Months later, James Cameron submitted an undated page "scriptment" with an alternate story the copyright registration was dated , part screenplay, part narrative story outline.
The "scriptment" told the Spider-Man origin, but used variations on the comic book characters Electro and Sandman as villains.
This "Electro" named Carlton Strand, instead of Max Dillion was a megalomaniacal parody of corrupt capitalists. In addition, the treatment was also heavy on profanity, and had Spider-Man and Mary Jane having sex.
When James Cameron agreed to make Spider-Man, Carolco lawyers simply used his previous Terminator 2 contract as a template.
A clause in this agreement gave Cameron the right to decide on movie and advertising credits. Show business trade articles and advertisements made no mention of Golan, who was still actively assembling the elements for the film.
On the other hand, Cameron had the contractual right to decide on credits. In , Marvel emerged from bankruptcy with a new reorganization plan that merged the company with Toy Biz.
The courts determined that the original contract of Marvel's rights to Golan had expired, returning the rights to Marvel, but the matter was still not completely resolved.
MGM disputed the legality, claiming it had the Spider-Man rights via Cannon, 21st Century, and Carolco, and threatened to make a competing film.
Columbia had made the original film spoof of Casino Royale, a non-Eon production. Both studios now faced rival projects, which could undercut their own long-term financial stability and plans.
Both sides seemed to have strong arguments for the rights to do such films. The two studios made a complex trade-off in March Columbia relinquished its rights to create a new series in exchange for MGM's giving up its claim to Spider-Man.
Columbia acquired the rights to all previous scripts in , but exercised options only on the "Cameron Material", i. In April , although Sony Pictures optioned from Metro-Goldwyn-Mayer all preceding script versions of Spider-Man, it only excersized the options on "the Cameron material," which contractually included a multi-author screenplay and a 45 page "scriptment" credited only to James Cameron.
The studio announced they were not hiring Cameron himself to direct the film. Fincher did not want to depict the origin story, pitching the film as being based on The Night Gwen Stacy Died storyline, but the studio disagreed.
Sam Raimi was attached to direct in January , for a summer release. He had been a big fan of the comic book during his youth, and his passion for Spider-Man earned him the job.
Cameron's work became the basis of David Koepp's first-draft screenplay, often word for word. Cameron's versions of the Marvel villains Electro and Sandman remained the antagonists.
Koepp's rewrite substituted the Green Goblin as the primary antagonist and added Doctor Octopus as a secondary villain.
Raimi felt the Green Goblin and the surrogate father-son theme between Norman Osborn and Peter Parker would be more interesting. Remaining a constant in all the rewrites was the "organic webshooter" idea from the Cameron "scriptment".
Raimi felt he would stretch the audience's suspension of disbelief too far to have Peter invent mechanical webshooters.
Rosenberg removed Doctor Octopus and created several new action sequences. Raimi felt adding a third origin story would make the film too complex.
Sequences removed from the final film had Spider-Man protecting Fargas, the wheelchair-using Oscorp executive from the Goblin, and Spider-Man defusing a hostage situation on a train.
As production neared, producer Laura Ziskin hired her husband, award-winning writer Alvin Sargent, to polish the dialogue, primarily between Peter and Mary Jane.
Columbia offered David Koepp's name to the WGA as sole screenwriter, despite the fact that it had acquired Cameron's script and hired two subsequent writers.
Without reading and comparing any of the material, the Writers Guild approved sole credit to Koepp. The film was set for release a year later, but when the film was postponed to be released on May 3, , filming officially began on January 8, in Culver City.
Stage 27 was also used for the complex Times Square sequence where Spider-Man and the Goblin battle for the first time, where a three-story set with a breakaway balcony piece was built.
The scene also required shooting in Downey, California. On March 6, year-old construction worker Tim Holcombe was killed when a forklift modified as a construction crane crashed into a construction basket that he was in.
The crew returned to Los Angeles where production and filming ended in June. The Flatiron Building was used for the Daily Bugle.
Although it wound up being faithful to the comics, many designs were made for Spider-Man's costumes: one concept costume designer James Acheson became fond of had a red emblem over a black costume.
To create Spider-Man's costume, Maguire was fitted for the skintight suit, being covered with layers of substance to create the suit's shape.
It was designed as a single piece, except for the mask. The webbing, which accented the costume, was cut by computer. The mask eye lenses were designed to have a mirror look.
The Green Goblin's costume was created after Willem Dafoe was cast, as Dafoe rejected the initially bulky designs created beforehand.
The finished design focused on a more streamlined and athletic feel, and the mask in particular was created to be an extreme cartoon version of his face, focusing on his long cheekbones.
Some of the early designs were heavily inspired by black ops. One popular idea among the concept artists was to have the Goblin accompanied by adolescent women in costume and have their own gliders.
Raimi hated the idea. Visual effects supervisor John Dykstra was hired to produce the visual effects for Spider-Man in May He convinced Raimi to make many of the stunts computer generated, as they would have been physically impossible.
Raimi had used more traditional special effects in his previous films and learned a lot about using computers during production.
Raimi worked hard to plan all the sequences of Spider-Man swinging from buildings, which he described as, "ballet in the sky.
Shots were made more complicated because of the main characters' individual color schemes, so Spider-Man and the Green Goblin had to be shot separately for effects shots: Spider-Man was shot in front of a greenscreen, while the Green Goblin was shot against bluescreen.
Shooting them together would have resulted in one character being erased from a shot. Saki said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization.
Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content.
Raimi wanted to convey the essence of Spider-Man as being, "the transition that occurs between him being a young man going through puberty and being a superhero.
When two studio executives were shown shots of the computer generated character, they believed it was actually Maguire performing stunts.
In addition, Dykstra's crew had to composite areas of New York City and replaced every car in shots with digital models.
Immediately after finishing Spider-Man, director Sam Raimi segued into directing a sequel. The following month, David Koepp was added to co-write with Gough and Millar.
In September , Michael Chabon was hired to rewrite. His draft had a younger Doc Ock, who becomes infatuated with Mary Jane.
His mechanical limbs use endorphins to counteract the pain of being attached to his body, which he enjoys.
When he injures two muggers on a date, this horrifies Mary Jane and in the resulting battle with Spider-Man his tentacles are fused together, and the fusion begins to kill him.
In the script, Octavius is the creator of the genetically-altered spider from the first film, and gives Peter an antidote to remove his powers: this means when Octavius is dying with his tentacles, he wants to extract Spider-Man's spine to save himself.
This leads to the alliance with Harry in the final film. Producer Avi Arad rejected the love triangle angle on Ock, and found Harry putting a price on Spider-Man's head unsubtle.
Raimi sifted through the previous drafts by Gough, Millar, Koepp and Chabon, picking what he liked with screenwriter Alvin Sargent.
He felt that thematically the film had to explore Peter's conflict with his personal wants against his responsibility, exploring the positive and negatives of his chosen path, and how he ultimately decides that he can be happy as a heroic figure.
Raimi stated the story was partly influenced by Superman II, which also explored the titular hero giving up his responsibilities.
Raimi changed much of the character's backstory however, adding the idea of Otto Octavius being a hero of Peter, and how their conflict was about trying to rescue him from his demons rather than kill him.
Spider-Man 2 was shot on over sets and locations, beginning with a pre-shoot on the Loop in Chicago during two days in November The crew bought a carriage, placing 16 cameras for background shots of Spider-Man and Doc Oc's train fight.
Principal photography began on April 12, in New York City. The crew moved on May 13 to Los Angeles, shooting on 10 major sets created by production designer Neil Spisak.
After the scare surrounding his back pains, Tobey Maguire relished performing many of his stunts, even creating a joke of it with Raimi, creating the line "My back, my back" as Spider-Man tries to regain his powers.
Even Rosemary Harris took a turn, putting her stunt double out of work. In contrast, Alfred Molina joked that the stunt team would "trick" him into performing a stunt time and again.
Filming was put on hiatus for eight weeks, in order to build Doc Ock's pier lair. It had been Spisak's idea to use a collapsed pier as Ock's lair, reflecting an exploded version of the previous lab and representing how Octavius' life had collapsed and grown more monstrous, evoking the cinema of Fritz Lang and the film The Cabinet of Dr.
Filming then resumed on that set, having taken 15 weeks to build, occupying Sony's Stage It was 60 feet 18 m by feet 37 m long, and 40 feet 12 m high, and a quarter-scale miniature was also built for the finale as it collapses.
Filming was still going after Christmas A camera system called the Spydercam was used to allow filmmakers to express more of Spider-Man's world view, at times dropping 50 stories and with shot lengths of just over 2, feet m in New York or 3, feet m in Los Angeles.
For some shots the camera would shoot at six frames per second for a faster playback increasing the sense of speed. Shots using the Spydercam were pre-planned in digital versions of cities, and movement of the camera was controlled with motion control, making it highly cost-effective.
The camera system was only used in the previous film for the final shot. Although roughly the same, costume designer James Acheson made numerous subtle changes to Spider-Man's costume.
The colors were made richer and bolder, the spider emblem was given more elegant lines and enlarged, the eye-lenses were somewhat smaller, and the muscle suit underneath was made into pieces, to give a better sense of movement.
The helmet Maguire wore under his mask was also improved, with better movement for the false jaw and magnetic eye pieces, which were easier to remove.
To create Doctor Octopus' mechanical tentacles, Edge FX was hired to create a corset, a metal and rubber girdle, a rubber spine and four foam rubber tentacles which were 8 feet 2.
The claws of each tentacle, which were dubbed "death flowers", were controlled by a single puppeteer in a chair, to control every available form on the claw.
Each tentacle was controlled by four people, who rehearsed every scene with Molina to give a natural sense of movement as if the tentacles were moving due to Octavius' muscle movement.
Edge FX was only hired to do scenes where Octavius carries his tentacles. CGI was used for when the tentacles carry Octavius: a 20 ft 6.
The CG versions were scanned straight from the practical ones. However, using the practical versions was always preferred to save money, and each scene was always filmed first with Edge FX's creations to see if CGI was truly necessary.
Completing the illusion, the sound designers chose not to use servo sound effects, feeling it would rob the tentacles of the sense that they were part of Octavius' body, and instead used motorcycle chains and piano wires.
Blender 3D played a role in the development of Spider-Man 2: "As an animatic artist working in the storyboard department of Spider-Man 2, I used Blender's 3D modeling and character animation tools to enhance the storyboards, re-creating sets and props, and putting into motion action and camera moves in 3D space to help make Sam Raimi's vision as clear to other departments as possible" — Anthony Zierhut, Animatic Artist, Los Angeles.
By the release of Spider-Man 2, a release date for Spider-Man 3 had been set for May 2, before production on the sequel had begun.
The date was later changed to May 4, In January , Sony Pictures Entertainment completed a seven-figure deal with screenwriter Alvin Sargent, who had penned Spider-Man 2, to work on Spider-Man 3 with an option to write a fourth film.
Immediately after Spider-Man 2's release, Ivan Raimi wrote a treatment over two months, with Sam Raimi deciding to use the film to explore Peter learning that he is not a sinless vigilante, and that there also can be humanity in those he considers criminals.
Harry Osborn was brought back as Raimi wanted to conclude his storyline. Raimi felt that Harry would not follow his father's legacy, but be instead "somewhere between.
While Sandman is a petty criminal in the comics, the screenwriters created a background of the character being Uncle Ben's killer to increase Peter's guilt over his death and challenge his simplistic perception of the event.
Overall, Raimi described the film as being about Peter, Mary Jane, Harry, and the Sandman, with Peter's journey being one of forgiveness.
Raimi wanted another villain, and Ben Kingsley was involved in negotiations to play the Vulture before the character was cut.
Xxx Online Avengers? Kommentare zu Marvel's Spider-Man werden geladen Spider-Man: A new Universe Kinostart: Home und Mobile Latanya Richardson erleben. Tully und Kate lernen sich als kleine Mädchen in der Firefly Lane kennen und werden in den nächsten 30 Jahren zu unzertrennlichen Freundinnen. Timeline für Marvel Cinematic Universe Phase 4. Er tötet den Forschungsleiter und stiehlt den Prototyp eines Kampfgleiters sowie die dazugehörige Kampfrüstung, welche beide ebenfalls von Oscorp entwickelt worden waren. Doch nichts ist wie es scheint und Peter Parker Aiden Turner Holland wird vor Entscheidungen gestellt, die für einen Teenager durchaus Herausforderungen darstellen. Home Serien Marvel's Spider-Man.Spider-Man Film Serie Spider-Man herci a herečky Video
Spiderman (2002) - Bitten By a Spider - Clip 4K
Spider-Man Film Serie - Weitere Details
Webb -Filme. Josey Scott. Sie erzählt von einem Dämon mit gelben Augen. Spider-Man: Sendetermine · Streams · DVDs · Cast & Crew. bei MTV Movie Awards von Jack Black und Sarah Michelle Gellar, in den Serien „O.C., California“. Blickpunkt: Film Kurzinfo. Die volle Packung "Spiderman": Zehn-DVD-Boxset mit den kompletten fünf Staffeln der Cartoonserie aus den Neunzigerjahren. Tobey Maguire und Kirsten Dunst hatten mit „Spider-Man“ einen Superhit, der der erfolgreichste Film in den USA war. In dieser Serienverfilmung von Leigh Bardugos Grischa-Trilogie verschwören sich dunkle Mächte gegen eine junge. Die besten Streaming-Tipps gibt's im Moviepilot-Podcast Streamgestöber. Marvel's Spider-Man ist eine Animationsserie aus dem Jahr von Philip Pignotti. Retrieved August 5, As disagreements between Sony and Raimi threatened to push the film of the intended May 6, release date, Sony Pictures announced in January that plans for Spider-Man 4 had been cancelled due to Raimi's withdrawal from the project. June March 24, Bryce Dallas Howard [g]. InSpider-Man 4 entered development, with Raimi attached to Michael Eric Reid and Maguire, Dunst and other cast members set to reprise their roles. The film sees Parker two months after the events of Civil War as he anxiously awaits his next assignment from Stark while simultaneously balancing his life at Midtown High with his vigilante life as Spider-Man. Steve Kloves, a screenwriter that was commonly Me Before You Online Spider-Man Film Serie the Harry Potter film series and who originally turned down the role, decided to be involved with tuning up the script with Sargent since he knew Sargent and the producer Ziskin who died during the production of the film and Direct Stream Filme decide to do them a favor at making the film good just like they wanted. As it was reported in December 16, DonT Breathe Stream Kinox, the film will begin shooting in London. Columbia had made the original film spoof of Casino Royale, a non-Eon production.
Raimi worked hard to plan all the sequences of Spider-Man swinging from buildings, which he described as, "ballet in the sky. Shots were made more complicated because of the main characters' individual color schemes, so Spider-Man and the Green Goblin had to be shot separately for effects shots: Spider-Man was shot in front of a greenscreen, while the Green Goblin was shot against bluescreen.
Shooting them together would have resulted in one character being erased from a shot. Saki said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization.
Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content. Raimi wanted to convey the essence of Spider-Man as being, "the transition that occurs between him being a young man going through puberty and being a superhero.
When two studio executives were shown shots of the computer generated character, they believed it was actually Maguire performing stunts.
In addition, Dykstra's crew had to composite areas of New York City and replaced every car in shots with digital models.
Immediately after finishing Spider-Man, director Sam Raimi segued into directing a sequel. The following month, David Koepp was added to co-write with Gough and Millar.
In September , Michael Chabon was hired to rewrite. His draft had a younger Doc Ock, who becomes infatuated with Mary Jane. His mechanical limbs use endorphins to counteract the pain of being attached to his body, which he enjoys.
When he injures two muggers on a date, this horrifies Mary Jane and in the resulting battle with Spider-Man his tentacles are fused together, and the fusion begins to kill him.
In the script, Octavius is the creator of the genetically-altered spider from the first film, and gives Peter an antidote to remove his powers: this means when Octavius is dying with his tentacles, he wants to extract Spider-Man's spine to save himself.
This leads to the alliance with Harry in the final film. Producer Avi Arad rejected the love triangle angle on Ock, and found Harry putting a price on Spider-Man's head unsubtle.
Raimi sifted through the previous drafts by Gough, Millar, Koepp and Chabon, picking what he liked with screenwriter Alvin Sargent. He felt that thematically the film had to explore Peter's conflict with his personal wants against his responsibility, exploring the positive and negatives of his chosen path, and how he ultimately decides that he can be happy as a heroic figure.
Raimi stated the story was partly influenced by Superman II, which also explored the titular hero giving up his responsibilities. Raimi changed much of the character's backstory however, adding the idea of Otto Octavius being a hero of Peter, and how their conflict was about trying to rescue him from his demons rather than kill him.
Spider-Man 2 was shot on over sets and locations, beginning with a pre-shoot on the Loop in Chicago during two days in November The crew bought a carriage, placing 16 cameras for background shots of Spider-Man and Doc Oc's train fight.
Principal photography began on April 12, in New York City. The crew moved on May 13 to Los Angeles, shooting on 10 major sets created by production designer Neil Spisak.
After the scare surrounding his back pains, Tobey Maguire relished performing many of his stunts, even creating a joke of it with Raimi, creating the line "My back, my back" as Spider-Man tries to regain his powers.
Even Rosemary Harris took a turn, putting her stunt double out of work. In contrast, Alfred Molina joked that the stunt team would "trick" him into performing a stunt time and again.
Filming was put on hiatus for eight weeks, in order to build Doc Ock's pier lair. It had been Spisak's idea to use a collapsed pier as Ock's lair, reflecting an exploded version of the previous lab and representing how Octavius' life had collapsed and grown more monstrous, evoking the cinema of Fritz Lang and the film The Cabinet of Dr.
Filming then resumed on that set, having taken 15 weeks to build, occupying Sony's Stage It was 60 feet 18 m by feet 37 m long, and 40 feet 12 m high, and a quarter-scale miniature was also built for the finale as it collapses.
Filming was still going after Christmas A camera system called the Spydercam was used to allow filmmakers to express more of Spider-Man's world view, at times dropping 50 stories and with shot lengths of just over 2, feet m in New York or 3, feet m in Los Angeles.
For some shots the camera would shoot at six frames per second for a faster playback increasing the sense of speed. Shots using the Spydercam were pre-planned in digital versions of cities, and movement of the camera was controlled with motion control, making it highly cost-effective.
The camera system was only used in the previous film for the final shot. Although roughly the same, costume designer James Acheson made numerous subtle changes to Spider-Man's costume.
The colors were made richer and bolder, the spider emblem was given more elegant lines and enlarged, the eye-lenses were somewhat smaller, and the muscle suit underneath was made into pieces, to give a better sense of movement.
The helmet Maguire wore under his mask was also improved, with better movement for the false jaw and magnetic eye pieces, which were easier to remove.
To create Doctor Octopus' mechanical tentacles, Edge FX was hired to create a corset, a metal and rubber girdle, a rubber spine and four foam rubber tentacles which were 8 feet 2.
The claws of each tentacle, which were dubbed "death flowers", were controlled by a single puppeteer in a chair, to control every available form on the claw.
Each tentacle was controlled by four people, who rehearsed every scene with Molina to give a natural sense of movement as if the tentacles were moving due to Octavius' muscle movement.
Edge FX was only hired to do scenes where Octavius carries his tentacles. CGI was used for when the tentacles carry Octavius: a 20 ft 6.
The CG versions were scanned straight from the practical ones. However, using the practical versions was always preferred to save money, and each scene was always filmed first with Edge FX's creations to see if CGI was truly necessary.
Completing the illusion, the sound designers chose not to use servo sound effects, feeling it would rob the tentacles of the sense that they were part of Octavius' body, and instead used motorcycle chains and piano wires.
Blender 3D played a role in the development of Spider-Man 2: "As an animatic artist working in the storyboard department of Spider-Man 2, I used Blender's 3D modeling and character animation tools to enhance the storyboards, re-creating sets and props, and putting into motion action and camera moves in 3D space to help make Sam Raimi's vision as clear to other departments as possible" — Anthony Zierhut, Animatic Artist, Los Angeles.
By the release of Spider-Man 2, a release date for Spider-Man 3 had been set for May 2, before production on the sequel had begun. The date was later changed to May 4, In January , Sony Pictures Entertainment completed a seven-figure deal with screenwriter Alvin Sargent, who had penned Spider-Man 2, to work on Spider-Man 3 with an option to write a fourth film.
Immediately after Spider-Man 2's release, Ivan Raimi wrote a treatment over two months, with Sam Raimi deciding to use the film to explore Peter learning that he is not a sinless vigilante, and that there also can be humanity in those he considers criminals.
Harry Osborn was brought back as Raimi wanted to conclude his storyline. Raimi felt that Harry would not follow his father's legacy, but be instead "somewhere between.
While Sandman is a petty criminal in the comics, the screenwriters created a background of the character being Uncle Ben's killer to increase Peter's guilt over his death and challenge his simplistic perception of the event.
Overall, Raimi described the film as being about Peter, Mary Jane, Harry, and the Sandman, with Peter's journey being one of forgiveness.
Raimi wanted another villain, and Ben Kingsley was involved in negotiations to play the Vulture before the character was cut. Producer Avi Arad convinced Raimi to include Venom, a character whose perceived "lack of humanity" had initially been criticized by Sam Raimi.
Venom's alter-ego, Eddie Brock, already had a minor role in the script. Arad told the director that Venom had a strong fan base, so Raimi included the character to please them, and even began to appreciate the character himself.
The film's version of the character is an amalgamation of Venom stories. Eddie Brock, Jr. Brock's actions as a journalist in Spider-Man 3 also represent contemporary themes of paparazzi and tabloid journalism.
The producers also suggested adding rival love interest Gwen Stacy, filling in an "other girl" type that Raimi already created. With so many additions, Sargent soon found his script so complex that he considered splitting it into two films, but abandoned the idea when he could not create a successful intermediate climax.
Camera crews spent ten days from November 5, to November 18, , to film sequences that would involve intense visual effects so Sony Pictures Imageworks could begin work on the shots early in the project.
The same steps had been taken for Spider-Man 2 to begin producing visual effects early for sequences involving the villain Doctor Octopus.
Principal photography for Spider-Man 3 began on January 16, and wrapped in July after over a hundred days of filming. The team filmed in Los Angeles until May 19, In spring , film location manager Peter Martorano brought camera crews to Cleveland, due to the Greater Cleveland Film Commission offering production space at the city's convention center at no cost.
In Cleveland, they shot the battle between Spider-Man and Sandman in the armored car. Afterwards, the team moved to Manhattan, where filming took place from May 26, until July 1, Shooting placed a strain on Raimi, who often had to move between several units to complete the picture.
Shooting was also difficult for cinematographer Bill Pope, as the symbiote Spider-Man, Venom, and the New Goblin were costumed in black during fight scenes taking place at night.
After August, pick-ups were conducted as Raimi sought to film more action scenes. The film then wrapped in October, although in the following month, additional special effects shots were taken to finalize the production.
At the start of , there were further pick-up shots regarding the resolution of Sandman's story, amounting to four different versions.
John Dykstra, who won the Academy Award for Visual Effects for his work on Spider-Man 2, declined to work on the third film as visual effects supervisor.
Dykstra's colleague, Scott Stokdyk, took his place as supervisor, leading two hundred programmers at Sony Pictures Imageworks.
This group designed specific computer programs that did not exist when Spider-Man 3 began production, creating nine hundred visual effects shots.
In addition to the innovative visual effects for the film, Stokdyk created a miniature of a skyscraper section at scale with New Deal Studios' Ian Hunter and David Sanger.
Stokdyk chose to design the miniature instead of using computer-generated imagery so damage done to the building could be portrayed realistically and timely without guesswork involving computer models.
In addition, to Sony Imageworks, Cafe FX provided visual effects for the crane disaster scene when Spider-Man rescues Gwen Stacy, as well as shots in the climactic battle.
To understand the effects of sand for the Sandman, experiments were done with twelve types of sand, such as splashing, launching it at stuntmen, and pouring it over ledges.
The results were mimicked on the computer to create the visual effects for Sandman. For scenes involving visual effects, Thomas Haden Church was super-imposed onto the screen, where computer-generated imagery was then applied.
With sand as a possible hazard in scenes that buried actors, ground-up corncobs were used as a substitute instead.
Because of its resemblance to the substance, sand from Arizona was used as the model for the CG sand.
In a fight where Spider-Man punches through Sandman's chest, amputee martial arts expert Baxter Humby took Tobey Maguire's place in filming the scene.
Humby, whose right hand was amputated at birth, helped deliver the intended effect of punching through Sandman's chest.
Whereas the symbiote suit worn in the comics by Spider-Man was a plain black affair with a large white spider on the front and back, the design was changed for the film to become a black version of Spider-Man's traditional costume, complete with webbing motif.
When animating the symbiote, Raimi did not want it to resemble a spider or an octopus, and to give it a sense of character.
The CG model is made of many separate strands. When animating Venom himself, animators observed footage of big cats such as lions and cheetahs for the character's agile movements.
Originally, Danny Elfman, the composer for the previous installments, did not plan to return for the third installment of Spider-Man because of difficulties with director Sam Raimi.
Elfman said that he had a "miserable experience" working with Raimi on Spider-Man 2 and could not comfortably adapt his music. Christopher Young was then announced to score Spider-Man 3 in Elfman's absence.
Sandman's theme uses "two contrabass saxophones, two contrabass clarinets, two contrabass bassoons and eight very low French horns" to sound "low, aggressive and heavy".
His theme is much more demonic sounding. Raimi approved the new themes during their first performance, but rejected the initial music to the birth of Sandman, finding it too monstrous and not tragic enough.
Young had to recompose much of his score at a later stage, as the producers felt there weren't enough themes from the previous films.
Ultimately, new themes for the love story, Aunt May, and Mary Jane were dropped. In , Spider-Man 4 entered development, with Raimi attached to direct and Maguire, Dunst and other cast members set to reprise their roles.
Both a fourth and a fifth movie were planned and at one time the idea of shooting the two sequels concurrently was under consideration.
However, Raimi stated in March that only the fourth film was in development at that time and that if there were fifth and sixth films, those two films would actually be a continuation of each other.
James Vanderbilt was hired in October to pen the screenplay after initial reports in early that Sony Pictures was in contact with David Koepp, who wrote the first Spider-Man film.
The script was subsequently rewritten by Pulitzer-winning playwright David Lindsay-Abaire and rewritten again by Gary Ross in October In , Raimi expressed interest in portraying the transformation of Dr.
Curt Connors into his villainous alter-ego, the Lizard; the character's actor Dylan Baker and producer Grant Curtis were also enthusiastic about the idea.
Raimi also discussed his desire to upgrade Bruce Campbell from a cameo appearance to a significant role. It was reported in December that John Malkovich was in negotiations to play Vulture and that Anne Hathaway would play Felicia Hardy, though she would not have transformed into the Black Cat as in the comics.
Instead, Raimi's Felicia was expected to become a new superpowered figure called the Vulturess. As disagreements between Sony and Raimi threatened to push the film of the intended May 6, release date, Sony Pictures announced in January that plans for Spider-Man 4 had been cancelled due to Raimi's withdrawal from the project.
Raimi reportedly ended his participation due to his doubt that he could meet the planned May 6, release date while at the same time upholding the film creatively.
Raimi purportedly went through four iterations of the script with different screenwriters and still "hated it". Simultaneous with the cancellation of Spider-Man 4, Sony announced that the franchise would be rebooted with a new director and new cast.
The Amazing Spider-Man is scheduled to be released on July 3, in 3-D and focuses on Peter Parker developing his abilities in high school.
Avi Arad, Laura Ziskin and Matt Tolmach, who were always involved with the franchise, continued on as producers of the film.
Sony confirmed that Vanderbilt would write the script for the new film. Entertainment Weekly called Vanderbilt's script "gritty, contemporary" and referenced Batman Begins, Christopher Nolan's reboot of the Batman film series, which also reinvented the tone of the series.
Alvin Sargent was then hired to fine-tune the script. Webb, whose previous film Days of Summer was his directorial debut, was confirmed to direct the reboot.
We believe Marc Webb is the perfect choice to bring us on that journey. What an opportunity! What better cinematic character is there than Spidey!
Webb felt that "he has a rare combination of intelligence, wit, and humanity. The website HitFix reported that Sony realized this and thus the new movie may instead focus on Peter's college life; this was disputed by Entertainment Weekly, which reported that the film is still set in high school.
Sony held auditions for the role of a young Peter Parker, somebody who would resemble Garfield in looks. It was reported originally that the film would feature both Mary Jane Watson and Gwen Stacy as love interests, but the website The Wrap later reported that only Gwen Stacy will appear in the film.
On October 5, , it was confirmed that the role of Gwen Stacy would go to Stone. Tolmach said that her on screen spark is perfect for the role.
Webb also said that the chemistry between Emma and Garfield is what made her the clear choice: "At the heart of the story of Peter Parker is not only the amazing Spider-Man, but also an ordinary teenager who is wondering what he has to do to get the girl.
Andrew and Emma will bring everything audiences expect to these roles, but also make them their own. Reportedly Sony was interested in casting Christoph Waltz as the villain of the film, however Waltz's representatives denied his involvement.
On October 11, , Rhys Ifans was confirmed to be the unnamed villain in the film. On October 13, , it was reported that Ifans will be playing Dr.
In September , Marvel Studios and Sony Pictures announced that they were set to produce a third film, after an impasse between the two companies during negotiations.
As revealed by the e-mail leak one year before, the duo had been previously courted by Sony to take over the studio's animation division.
Originally scheduled to be released on December 21, , Sony announced on April 26, the film would be released a week earlier on December 14, In November , it was revealed that Into the Spider-Verse had entered into sequel development.
Along with the announcement of a sequel, a spin-off focused on female Spider-characters was revealed to be in development, with Lauren Montgomery in talks to direct the film, while Bek Smith is set to write.
John Mulaney expressed interest in a spin-off film starring Spider-Ham, with the potential plot being a " Watergate -like story" which could focus on the character's career as a reporter.
At Comic-Con , Dan Buckley , president of Marvel Worldwide, Inc announced the development of a crossover television film of the animated series Phineas and Ferb , that would feature characters from Marvel Entertainment.
Work on an expanded universe using supporting characters from the Spider-Man films began by December This relationship produced Spider-Man: Homecoming and Spider-Man: Far From Home , while Sony separately redeveloped Venom as a standalone film beginning its own universe.
This section shows characters who will appear or have appeared in multiple "franchises" of Spider-Man films. Stan Lee , one of the co-creators of Spider-Man, appeared in varied cameos in all films from the Raimi-trilogy to Into the Spider-Verse.
Bruce Campbell , a long-time colleague of Sam Raimi, appeared in all three of his films. In Spider-Man , he was the announcer at the wrestling ring Peter was in and gave him the name "Spider-Man", instead of the "Human Spider" the name with which Peter wanted to be introduced.
In Spider-Man 2 , he was an usher who refuses to let Peter enter the theatre for Mary Jane's play when arriving late.
The Sam Raimi trilogy was released on DVD , the first two being released exclusively as two-disc sets and on VHS , with the third film being released in both single and two-disc editions.
Spider-Man 3 was initially the only Spider-Man film to be released individually on the high-definition Blu-ray format.
The first two films were made available on Blu-ray, but only as part of a boxed set with the third film, called Spider-Man: The High-Definition Trilogy.
The first two films lacked the bonus features from the DVDs, although Spider-Man 2 did contain both cuts of the film.
Sony announced on April 2, that the three films would be re-released on June 12, All three films which comprise the Raimi-trilogy are available in the U.
All three films of the Raimi-trilogy set opening day records in North America. David Ansen of Newsweek enjoyed Spider-Man as a fun film to watch, though he considered Spider-Man 2 to be "a little too self-important for its own good.
While he saw the second film's Doc Ock as the "most engaging" villain, he applauded the third film's Sandman as "a triumph of CGI wizardry. Colin Covert of the Star Tribune praised Spider-Man as a "superb debut" of the superhero as well as Spider-Man 2 as a "superior sequel" for filmgoers who are fans "of spectacle and of story.
Dargis also noted, "The bittersweet paradox of this franchise is that while the stories have grown progressively less interesting the special effects have improved tremendously.
In , Spider-Man 4 entered development, with Raimi attached to direct and Maguire, Dunst and other cast members set to reprise their roles.
Both a fourth and a fifth film were planned and at one time the idea of shooting the two sequels concurrently was under consideration. However, Raimi stated in March that only the fourth film was in development at that time and that if there were fifth and sixth films, those two films would actually be a continuation of each other.
In , Raimi expressed interest in portraying the transformation of Dr. Curt Connors into his villainous alter-ego, the Lizard ; the character's actor Dylan Baker and producer Grant Curtis were also enthusiastic about the idea.
Instead, Raimi's Felicia was expected to become a new superpowered figure called the Vulturess. As disagreements between Sony and Raimi threatened to push the film off the intended May 6, release date, Sony Pictures announced in January that plans for Spider-Man 4 had been cancelled due to Raimi's withdrawal from the project.
Raimi reportedly ended his participation due to his doubt that he could meet the planned May 6, release date while at the same time upholding the film creatively; he admitted that he was "very unhappy" with the way Spider-Man 3 had turned out, and was under pressure to make the fourth film the best that he could.
In July , Avi Arad revealed a Venom spin-off was in the works. The third film was scheduled to be released on June 10, , and the fourth was scheduled to be released on May 4, There are a number of scripts in the works.
On December 12, , Sony issued a press release through the viral site Electro Arrives announcing that two films were in development, with Alex Kurtzman , Roberto Orci and Ed Solomon writing a spin-off to The Amazing Spider-Man focused on Venom with Kurtzman attached to direct and Drew Goddard writing one focused on the villain team Sinister Six with an eye to direct.
Hannah Minghella and Rachel O'Connor would oversee the development and production of these films for the studio.
Despite the announcement in February of a new series with Marvel Studios, the Sinister Six , Venom , and female-led spin-off films set in the Amazing Spider-Man timeline were then "still moving forward".
Feige was not expected to be creatively involved with these films. These include spinoff films centering around the characters of Morbius , [] Kraven the Hunter , [] and Silver and Black, [] a female-centric team up of the Spider-Man villains Silver Sable and Black Cat.
On June 27, , it was announced that Jared Leto will portray title character Morbius in the spinoff film directed by Daniel Espinosa.
The film is set to release on March 19, The Kraven the Hunter film is currently being written by Richard Wenk.
In the amateur filmmaker Donald F. Glut created a short movie Spider-Man based on the character. This was the character's first appearance in film.
From Wikipedia, the free encyclopedia. Film adaptations of the fictional Marvel Comics character Spider-Man. Main article: Spider-Man film. Main article: Spider-Man Strikes Back.
Main article: Spider-Man 2. Main article: Spider-Man 3. Main article: The Amazing Spider-Man film. Main article: The Amazing Spider-Man 2.
Further information: List of Marvel Cinematic Universe films. Main article: Captain America: Civil War. Main article: Spider-Man: Homecoming.
Main article: Avengers: Infinity War. Main article: Avengers: Endgame. Main article: Spider-Ham: Caught in a Ham. Main article: Marvel Super Heroes 4D.
Main article: Phineas and Ferb: Mission Marvel. Each film is linked to the "Box office" section of its article. Each film is linked to the "Critical response" section of its article.
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April 2,
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