The Wailing Kinox

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On 23.12.2019
Last modified:23.12.2019

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Anspannung zu zerstren. Ihr Ziel gemacht 1.

The Wailing Kinox

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The Wailing Kinox

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Now on Netflix: The Wailing - Explained

And on the surface, The Wailing — his third film — offers more of the same. Its Korean-language title refers to the name of the remote, isolated mountain region at the center of the plot, while its English-language title has far more to do with the biblical plague—esque wave of violence, death, and sickness that seems to strike the town out of nowhere.

A tense blend of genres, The Wailing succeeds at combining a mood of deep unease with visceral gore, buddy cop comedy, and a hallucinogenic mix of horror tropes — a recipe that yields, among other things, an atypical exorcism helmed by an intense Korean shaman.

The film was a success at Cannes last month, and hype has been building ever since. The Wailing starts off in a rash of madness and stays that way. At its center is the beleaguered police sergeant Jong-Goo, played with a brilliant mix of exhaustion, indecisiveness, and fear by Kwak Do-won.

The killers all seem to suffer from the same zombie-like symptoms — they appear crazed and inhuman and are trying to eat the flesh of the living — as well as a skin rash and boils.

At first, Jong-Goo dismisses the rumors about this man and his evil supernatural powers as sheer ignorance. As Jong-Goo, Kwak swings from moments of comical incompetence as the fuddy-duddy local policeman to moments of barely concealed self-loathing to moments of absolute horror and rage as his distrust of the Japanese stranger and his fear for his daughter grows.

Through each of these stark tonal shifts, the sense of horror and urgency surrounding the unknown curse that has come to his town is palpable.

This is a film as beautiful as it is gory, as painstakingly scenic as it is committed to stark visual interplays between darkness and light.

All the while, the story of Gokseong unfolds in fits and starts, each puzzle piece more confusing than the last. Are the residents of the town being systematically poisoned with a drug that causes them to become frenzied, savage killers?

Are they being cursed? Or is it both, and for what reason? However, answers are much harder to find in this film than accusations.

Horror fans wanting a plot whose ending dovetails nicely with all the elements that preceded it may wind up feeling frustrated, though many more may be drawn into the heart of its darkness: the conviction that terror has come to this town and there is no escape to be had.

The plot of The Wailing centers heavily on Jong-Goo's increased fixation with the Japanese man, played with a perfect balance of pathos and sinister ambivalence by renowned Japanese actor Jun Kunimura Audition.

Na has gone on record that "xenophobia has nothing to do with" his choice to cast a Japanese actor in the role of the outsider, and that his goal was to show the irrational but intense fear that can spring from the inability to communicate with the person you fear.

Korea and Japan share centuries of historic distrust and ongoing political tensions, as well as deep resentment over the Japanese colonization of Korea in the early 20th century and its still- controversial practice of forcing many Korean citizens into sex slavery to serve as "comfort women.

And given how well The Wailing has done at the box office in its home country, it evidently speaks to plenty of Koreans.

Later he connects that it was the naked woman from the previous night who has burned down her house. She was also affected by the rashes as confirmed by other witnesses.

In short, she was also possessed and taken by the evil spirit thanks to the Stranger. She leaves. The Stranger has taken her shoes for the cursing.

Jong-goo meets a person who claims to be a witness to the Stranger eating animals in the woods wearing cloth underwear. So they go to the woods to find out more and see the carcass of a dead deer.

The witness gets struck by lightning and is admitted to the hospital. His wife mentions that consuming the herbal potions over a period of time was able to save him.

Jong-goo meets with a Japanese translator who also happens to be a pastor. Inside, they find photos of all the people who had been infected and after they had died.

Jong-goo questions his daughter about meeting the Stranger. His daughter lashes out at him all crazy. He leaves and comes back later at night to see that she has rashes too.

She wakes up and lashes out at him more till they have to restrain her. In the process, he ends up killing his dog. He then tells the Stranger to leave the village in 3 days.

Il-gwang arrives and locates a vat with a dead raven. This is something placed by Moo-myung to protect the family. Il-gwang initially says that the Japanese person is a ghost and arranges for an exorcism.

At this point, we can see that Il-gwang also wears a similar undergarment like the Japanese Stranger. The next day, Il-gwang conducts the ritual.

The Stranger is doing a ritual of his own to possess a dead guy in a truck. In fact, the evil moves from the Stranger to the dead-truck-guy, at least temporarily.

The interruption keeps his daughter safe for the while. Next morning, he assembles a gang and goes out on a hunt for the Stranger. They run into the dead-truck-guy who seems indestructible.

But eventually squirms and dies. I suppose the evil spirit leaves him. Just then they spot the Stranger and chase him.

They lose him over the cliffs. Notice how the Stranger is afraid, he is not possessed at this moment.

As they drive back, Jong-goo loses control of his truck and swerves. As he does, a person lands on his windshield. They step out and see that it is the Stranger that they were chasing.

This is bait, and Jong-goo takes it. He commits a sin and Moo-myung, who watches on, loses the ability to protect his daughter. His daughter gets better, but it is only temporarily.

They take her back home. Il-gwang tries to reach Jong-goo but is unable to. He gets intercepted by Moo-myung who makes him bleed and puke excessively and asks him to leave town.

In fear, he gets into his car and drives away. Moo-myung has set a trap for the evil spirit, the flower. It is essential that Jong-goo shows trust in her.

Only then, this trap will work. Jong-goo needs to stay out of the house. He sees the many missed calls from Il-gwang and reaches out. In the end of The Wailing, Il-gwang, who is trying to leave town passes through a swarm of locusts and is forced to turn back.

This is a call to him by the evil spirit. Il-gwang tells Jong-goo a lie that the Stranger is the good guy and that he was wrong about him. And that Moo-myung is the evil spirit.

He asks Jong-goo to go straight home. He knows this will break the trap. Moo-myung meets Jong-goo and tells him that if he goes home, everyone in his family will die.

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