Veröffentlicht von 
Hobbit 2 Navigationsmenü
Nachdem der Hobbit Bilbo Beutlin (Martin Freeman), Inbegriff der Gemütlichkeit, in Der Hobbit: Eine unerwartete Reise seine warme Stube im Auenland gegen Widrigkeiten und Fährnisse aller Art eintauschte, indem er Gandalf dem Grauen (Ian McKellen). US-Dollar (,2 Mio. Euro; ,1 Mio. Schweizer Franken) in Nordamerika. Bereits am Startwochenende spielte Der Hobbit: Smaugs Einöde weltweit , Wie auch schon bei Der Herr der Ringe übernahm Peter Jackson die Regie. Inhaltsverzeichnis. 1 Filme; 2 Handlung. Der Hobbit - Smaugs Einöde [dt./OV]. ()IMDb 7,82 Std. 41 MinX-Ray Peter Jackson führt die Saga von der Mittelerde fort, die die Abenteuer des. Passend zur Weihnachtszeit kam "Der Hobbit 2" am Dezember in die deutschen Kinos. Das Prequel zu "Herr der Ringe" wurde ebenfalls von. Alle reden vom "Hobbit 2", aber Sie haben nicht einmal Teil 1 gesehen? ciboo.eu liefert Ihnen Überlebenstipps - damit Sie trotzdem Teil 2. Der Hobbit: Smaugs Einöde ein Film von Peter Jackson mit Martin Freeman, Richard Der Hobbit: Smaugs Einöde Trailer DF Der Hobbit: Smaugs Einöde.
.jpg "Hobbit 2")
Hobbit 2 Inhaltsangabe & Details
Kein anderer Film spielte an seinem zweiten Wochenende mehr Geld in die Kassen. Gegen Bezahlung schmuggelt er sie in die Stadt, die sich bereits nahe Filmpalast Zkm Einsamen Berg befindet. März erzielte der Film Gesamteinnahmen in Höhe von ,1 Mio. Kritik schreiben. Ich muss dazu sagen, die Herr der Ringe Trilogie habe ich gelesen, Hobbit 2 Hobbit leider noch nicht. Thorin setzt mit dem Rest seiner Gruppe seine Reise fort, und sie erreichen bald, entgegen der Anweisung Gandalfs, auf ihn zu warten, den Einsamen Berg, wo Bilbo nach American Gods Deutsch anfänglichen Misserfolg der Zwerge bei der Suche nach Roland Klick verborgenen Zugangstür den N24 Welt doch noch entdeckt. Als die One Punch Man Staffel 2 Folge 4 ihrem Freund zu Hilfe kommen wollen, schneidet ihnen Earth Online Drache den Rückzug durch die Geheimtür ab, und so flüchten die Gefährten weiter in die Tiefen des Erebor hinein. Peter Jackson.Hobbit 2 Navigation menu Video
Bilbo \u0026 Smaug Complete SceneRowling 's Harry Potter series — Tolkien intended The Hobbit as a "fairy-story" and wrote it in a tone suited to addressing children [77] although he said later that the book was not specifically written for children but had rather been created out of his interest in mythology and legend.
Many fairy tale motifs, such as the repetition of similar events seen in the dwarves' arrival at Bilbo's and Beorn's homes, and folklore themes, such as trolls turning to stone, are to be found in the story.
The book is popularly called and often marketed as a fantasy novel , but like Peter Pan and Wendy by J. Barrie and The Princess and the Goblin by George MacDonald , both of which influenced Tolkien and contain fantasy elements, it is primarily identified as being children's literature.
Frank Baum and Lloyd Alexander alongside the works of Gene Wolfe and Jonathan Swift , which are more often considered adult literature.
The Hobbit has been called "the most popular of all twentieth-century fantasies written for children". Tolkien's prose is unpretentious and straightforward, taking as given the existence of his imaginary world and describing its details in a matter-of-fact way, while often introducing the new and fantastic in an almost casual manner.
This down-to-earth style, also found in later fantasy such as Richard Adams ' Watership Down and Peter Beagle 's The Last Unicorn , accepts readers into the fictional world , rather than cajoling or attempting to convince them of its reality.
The narrator, who occasionally interrupts the narrative flow with asides a device common to both children's and Anglo-Saxon literature , [26] has his own linguistic style separate from those of the main characters.
The basic form of the story is that of a quest , [87] told in episodes. For the most part of the book, each chapter introduces a different denizen of the Wilderland, some helpful and friendly towards the protagonists, and others threatening or dangerous.
However the general tone is kept light-hearted, being interspersed with songs and humour. One example of the use of song to maintain tone is when Thorin and Company are kidnapped by goblins, who, when marching them into the underworld, sing:.
Grip, grab! Pinch, nab! This onomatopoeic singing undercuts the dangerous scene with a sense of humour. Tolkien achieves balance of humour and danger through other means as well, as seen in the foolishness and Cockney dialect of the trolls and in the drunkenness of the elven captors.
The evolution and maturation of the protagonist, Bilbo Baggins, is central to the story. This journey of maturation, where Bilbo gains a clear sense of identity and confidence in the outside world, may be seen as a Bildungsroman rather than a traditional quest.
The overcoming of greed and selfishness has been seen as the central moral of the story. Bilbo steals the Arkenstone—a most ancient relic of the dwarves—and attempts to ransom it to Thorin for peace.
However, Thorin turns on the Hobbit as a traitor, disregarding all the promises and "at your services" he had previously bestowed. Tolkien also explores the motif of jewels that inspire intense greed that corrupts those who covet them in the Silmarillion , and there are connections between the words "Arkenstone" and " Silmaril " in Tolkien's invented etymologies.
The Hobbit employs themes of animism. An important concept in anthropology and child development , animism is the idea that all things—including inanimate objects and natural events, such as storms or purses, as well as living things like animals and plants—possess human-like intelligence.
John D. Rateliff calls this the " Doctor Dolittle Theme" in The History of the Hobbit , and cites the multitude of talking animals as indicative of this theme.
These talking creatures include ravens, a thrush, spiders and the dragon Smaug, alongside the anthropomorphic goblins and elves. Patrick Curry notes that animism is also found in Tolkien's other works, and mentions the "roots of mountains" and "feet of trees" in The Hobbit as a linguistic shifting in level from the inanimate to animate.
The first men to talk of 'trees and stars' saw things very differently. To them, the world was alive with mythological beings To them the whole of creation was 'myth-woven and elf-patterned'.
As in plot and setting, Tolkien brings his literary theories to bear in forming characters and their interactions. He portrays Bilbo as a modern anachronism exploring an essentially antique world.
Bilbo is able to negotiate and interact within this antique world because language and tradition make connections between the two worlds.
For example, Gollum 's riddles are taken from old historical sources, while those of Bilbo come from modern nursery books. It is the form of the riddle game, familiar to both, which allows Gollum and Bilbo to engage each other, rather than the content of the riddles themselves.
This idea of a superficial contrast between characters' individual linguistic style, tone and sphere of interest, leading to an understanding of the deeper unity between the ancient and modern, is a recurring theme in The Hobbit.
Smaug is the main antagonist. In many ways the Smaug episode reflects and references the dragon of Beowulf , and Tolkien uses the episode to put into practice some of the ground-breaking literary theories he had developed about the Old English poem in its portrayal of the dragon as having bestial intelligence.
Just as Tolkien's literary theories have been seen to influence the tale, so have Tolkien's experiences. The Hobbit may be read as Tolkien's parable of World War I with the hero being plucked from his rural home and thrown into a far-off war where traditional types of heroism are shown to be futile.
As Janet Croft notes, Tolkien's literary reaction to war at this time differed from most post-war writers by eschewing irony as a method for distancing events and instead using mythology to mediate his experiences.
Well, it seems a very gloomy business. Lewis , friend of Tolkien and later author of The Chronicles of Narnia between and , writing in The Times reports:.
The truth is that in this book a number of good things, never before united, have come together: a fund of humour, an understanding of children, and a happy fusion of the scholar's with the poet's grasp of mythology The professor has the air of inventing nothing.
He has studied trolls and dragons at first hand and describes them with that fidelity that is worth oceans of glib "originality. Lewis compares the book to Alice in Wonderland in that both children and adults may find different things to enjoy in it, and places it alongside Flatland , Phantastes , and The Wind in the Willows.
Auden , in his review of the sequel The Fellowship of the Ring calls The Hobbit "one of the best children's stories of this century".
The Hobbit was nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction of the year Publication of the sequel The Lord of the Rings altered many critics' reception of the work.
Instead of approaching The Hobbit as a children's book in its own right, critics such as Randell Helms picked up on the idea of The Hobbit as being a "prelude", relegating the story to a dry-run for the later work.
Countering a presentist interpretation are those who say this approach misses out on much of the original's value as a children's book and as a work of high fantasy in its own right, and that it disregards the book's influence on these genres.
Rateliff [] and C. Sullivan [26] encourage readers to treat the works separately, both because The Hobbit was conceived, published, and received independently of the later work, and to avoid dashing readers' expectations of tone and style.
While The Hobbit has been adapted and elaborated upon in many ways, its sequel The Lord of the Rings is often claimed to be its greatest legacy.
The Lord of the Rings contains several more supporting scenes, and has a more sophisticated plot structure, following the paths of multiple characters.
Tolkien wrote the later story in much less humorous tones and infused it with more complex moral and philosophical themes. The differences between the two stories can cause difficulties when readers, expecting them to be similar, find that they are not.
Further, Tolkien's concept of Middle-earth was to continually change and slowly evolve throughout his life and writings. The style and themes of the book have been seen to help stretch young readers' literacy skills, preparing them to approach the works of Dickens and Shakespeare.
By contrast, offering advanced younger readers modern teenage-oriented fiction may not exercise their reading skills, while the material may contain themes more suited to adolescents.
Several teaching guides and books of study notes have been published to help teachers and students gain the most from the book. The Hobbit introduces literary concepts, notably allegory , to young readers, as the work has been seen to have allegorical aspects reflecting the life and times of the author.
Another approach to critique taken in the classroom has been to propose the insignificance of female characters in the story as sexist.
While Bilbo may be seen as a literary symbol of small folk of any gender, [] a gender-conscious approach can help students establish notions of a "socially symbolic text" where meaning is generated by tendentious readings of a given work.
The first authorized adaptation of The Hobbit appeared in March , a stage production by St. Margaret's School, Edinburgh. The first motion picture adaptation of The Hobbit , a minute film of cartoon stills , was commissioned from Gene Deitch by William L.
Snyder in , as related by Deitch himself. Since then all "authorized" adaptations have been signed off by Tolkien Enterprises. The series was released on audio cassette in and on CD in The adaptation has been called "execrable" [47] and confusing for those not already familiar with the plot.
A children's opera was written and premiered in Composer and librettist Dean Burry was commissioned by the Canadian Children's Opera Chorus , who produced the premiere in Toronto, Ontario, and subsequently toured it to the Maritime provinces the same year.
In Decembers of , [] , [] and , [] Metro-Goldwyn-Mayer and New Line Cinema released one part each of a three-part live-action film version produced and directed by Peter Jackson.
In a one-volume edition was released by Unwin Paperbacks. The cover was artwork by the original illustrator David Wenzel. A reprint collected in one volume was released by Del Rey Books in Middle-earth Strategic Gaming formerly Middle-earth Play-by-Mail , which has won several Origins Awards , uses the Battle of Five Armies as an introductory scenario to the full game and includes characters and armies from the book.
Several computer and video games, both licensed and unlicensed, have been based on the story. One of the most successful was The Hobbit , an award-winning computer game published in by Beam Software and published by Melbourne House with compatibility for most computers available at the time.
A copy of the novel was included in each game package. While reliable figures are difficult to obtain, estimated global sales of The Hobbit run between 35 [98] and [] million copies since In the UK The Hobbit has not retreated from the top 5, bestselling books measured by Nielsen BookScan since , when the index began, [] achieving a three-year sales peak rising from 33, to , , , and 61, , ranking it at the 3rd position in Nielsen's "Evergreen" book list.
From Wikipedia, the free encyclopedia. Fantasy novel by J. This article is about the novel. For other uses, see Hobbit disambiguation.
For other uses, see There and Back Again disambiguation. Cover of the first edition, from a drawing by Tolkien. High fantasy Juvenile fantasy.
Main article: List of The Hobbit characters. Further information: Hobbit word. See also: English-language editions of The Hobbit.
Further information: The Lord of the Rings. Main article: Adaptations of The Hobbit. Speculative fiction portal. University of Toronto Press.
Tolkien's Bilbo Baggins in The Hobbit. Beacham's Encyclopedia of Popular Fiction Analysis. Beacham Publishers. At the beginning of The Hobbit Bilbo Baggins seems little more than a conservative but good-natured innocent.
But their chief role was to offer sage advice: Merlin as a tutor and counselor to King Arthur; Gandalf through stories and wisdom in his itinerant travels throughout the countryside.
Tolkien and the Silmarils 1st ed. Boston: Houghton Mifflin. As apt a description of Thorin Oakenshield as of the dwarf-lord of Nogrod; but yet when we see Thorin in person, Tolkien's Hobbit and Lord of the Rings.
Barron's Educational Series. In Bloom, Harold ed. Chelsea House. The Tolkienaeum: Essays on J. Tolkien and his Legendarium. In Chance, Jane ed. Tolkien and the Invention of Myth: A Reader.
University Press of Kentucky. Sullivan In Hunt, Peter ed. International Companion Encyclopedia of Children's Literature. Clair , p. Further, the birds carry the good news of Smaug's fall over the countryside.
In The Hobbit, they do not function as scavengers after battle as ravens usually do in medieval Norse and English works. They move closer to investigate it, and Bilbo is sent ahead in his first official task as burglar.
As he approaches a clearing in the woods, Bilbo sees three huge trolls sitting around a fire, eating mutton.
Trolls will eat just about anything, but they are also short-tempered and dull-witted. They proceed to fight about how to interrogate Bilbo.
The commotion attracts the dwarves, who come to the clearing one at a time. The trolls stop fighting just long enough to hide in the trees and throw a sack over each approaching dwarf.
The trolls decide to cook the dwarves immediately, but then a voice, which sounds like one of the trolls, starts an argument, and the three trolls start fighting again.
This fighting goes on for quite some time until the trolls notice that it is almost dawn. The sun peeks over the horizon and the trolls all freeze—sunlight turns trolls to stone.
Gandalf then steps triumphantly into the clearing. He had been throwing his voice to mislead the dwarves and to keep the trolls arguing until morning.
Main article: Music of The Hobbit film series. Main article: List of accolades received by The Hobbit film series.
British Board of Film Classification. Retrieved 5 April British Film Institute. Archived from the original on 10 August Retrieved 25 July Retrieved 2 January Box Office Mojo.
Retrieved 27 April The Hollywood Reporter. Retrieved 20 August The Star. Retrieved 13 December Retrieved 30 April Entertainment Weekly.
Retrieved 2 May Deadline Hollywood. Retrieved 4 December Retrieved 1 May Hollywood Teen 'Zine. Retrieved 14 December Television New Zealand.
Los Angeles Herald. Retrieved 4 June Digital Spy. Retrieved 7 November Retrieved 5 November Bleeding Cool. Retrieved 28 November The Onering.
Retrieved 21 December International Business Times. Retrieved 6 September Den of Geek. Retrieved 23 February Retrieved 18 February Retrieved 6 August Retrieved 3 November Retrieved 22 March Retrieved 22 December Retrieved 29 December Retrieved 15 December Archived from the original on 25 February Retrieved 25 February Retrieved 19 December Retrieved 7 December The Guardian.
Los Angeles Times. Rotten Tomatoes. Retrieved 22 November Retrieved 20 December
.jpg "Hobbit 2")
Satisfied with his skills, the publishers asked Tolkien to design a dust jacket. This project, too, became the subject of many iterations and much correspondence, with Tolkien always writing disparagingly of his own ability to draw.
The runic inscription around the edges of the illustration are a phonetic transliteration of English, giving the title of the book and details of the author and publisher.
His final design consisted of four colours. The publishers, mindful of the cost, removed the red from the sun to end up with only black, blue, and green ink on white stock.
The publisher's production staff designed a binding, but Tolkien objected to several elements. Through several iterations, the final design ended up as mostly the author's.
The front and back covers were mirror images of each other, with an elongated dragon characteristic of Tolkien's style stamped along the lower edge, and with a sketch of the Misty Mountains stamped along the upper edge.
Once illustrations were approved for the book, Tolkien proposed colour plates as well. The publisher would not relent on this, so Tolkien pinned his hopes on the American edition to be published about six months later.
Different editions have been illustrated in diverse ways. Many follow the original scheme at least loosely, but many others are illustrated by other artists, especially the many translated editions.
Some cheaper editions, particularly paperback, are not illustrated except with the maps. Tolkien's use of runes, both as decorative devices and as magical signs within the story, has been cited as a major cause for the popularization of runes within " New Age " and esoteric literature, [70] stemming from Tolkien's popularity with the elements of counter-culture in the s.
The Hobbit takes cues from narrative models of children's literature , as shown by its omniscient narrator and characters that young children can relate to, such as the small, food-obsessed, and morally ambiguous Bilbo.
The text emphasizes the relationship between time and narrative progress and it openly distinguishes "safe" from "dangerous" in its geography. Both are key elements of works intended for children, [72] as is the "home-away-home" or there and back again plot structure typical of the Bildungsroman.
Rowling 's Harry Potter series — Tolkien intended The Hobbit as a "fairy-story" and wrote it in a tone suited to addressing children [77] although he said later that the book was not specifically written for children but had rather been created out of his interest in mythology and legend.
Many fairy tale motifs, such as the repetition of similar events seen in the dwarves' arrival at Bilbo's and Beorn's homes, and folklore themes, such as trolls turning to stone, are to be found in the story.
The book is popularly called and often marketed as a fantasy novel , but like Peter Pan and Wendy by J.
Barrie and The Princess and the Goblin by George MacDonald , both of which influenced Tolkien and contain fantasy elements, it is primarily identified as being children's literature.
Frank Baum and Lloyd Alexander alongside the works of Gene Wolfe and Jonathan Swift , which are more often considered adult literature.
The Hobbit has been called "the most popular of all twentieth-century fantasies written for children". Tolkien's prose is unpretentious and straightforward, taking as given the existence of his imaginary world and describing its details in a matter-of-fact way, while often introducing the new and fantastic in an almost casual manner.
This down-to-earth style, also found in later fantasy such as Richard Adams ' Watership Down and Peter Beagle 's The Last Unicorn , accepts readers into the fictional world , rather than cajoling or attempting to convince them of its reality.
The narrator, who occasionally interrupts the narrative flow with asides a device common to both children's and Anglo-Saxon literature , [26] has his own linguistic style separate from those of the main characters.
The basic form of the story is that of a quest , [87] told in episodes. For the most part of the book, each chapter introduces a different denizen of the Wilderland, some helpful and friendly towards the protagonists, and others threatening or dangerous.
However the general tone is kept light-hearted, being interspersed with songs and humour. One example of the use of song to maintain tone is when Thorin and Company are kidnapped by goblins, who, when marching them into the underworld, sing:.
Grip, grab! Pinch, nab! This onomatopoeic singing undercuts the dangerous scene with a sense of humour. Tolkien achieves balance of humour and danger through other means as well, as seen in the foolishness and Cockney dialect of the trolls and in the drunkenness of the elven captors.
The evolution and maturation of the protagonist, Bilbo Baggins, is central to the story. This journey of maturation, where Bilbo gains a clear sense of identity and confidence in the outside world, may be seen as a Bildungsroman rather than a traditional quest.
The overcoming of greed and selfishness has been seen as the central moral of the story. Bilbo steals the Arkenstone—a most ancient relic of the dwarves—and attempts to ransom it to Thorin for peace.
However, Thorin turns on the Hobbit as a traitor, disregarding all the promises and "at your services" he had previously bestowed. Tolkien also explores the motif of jewels that inspire intense greed that corrupts those who covet them in the Silmarillion , and there are connections between the words "Arkenstone" and " Silmaril " in Tolkien's invented etymologies.
The Hobbit employs themes of animism. An important concept in anthropology and child development , animism is the idea that all things—including inanimate objects and natural events, such as storms or purses, as well as living things like animals and plants—possess human-like intelligence.
John D. Rateliff calls this the " Doctor Dolittle Theme" in The History of the Hobbit , and cites the multitude of talking animals as indicative of this theme.
These talking creatures include ravens, a thrush, spiders and the dragon Smaug, alongside the anthropomorphic goblins and elves. Patrick Curry notes that animism is also found in Tolkien's other works, and mentions the "roots of mountains" and "feet of trees" in The Hobbit as a linguistic shifting in level from the inanimate to animate.
The first men to talk of 'trees and stars' saw things very differently. To them, the world was alive with mythological beings To them the whole of creation was 'myth-woven and elf-patterned'.
As in plot and setting, Tolkien brings his literary theories to bear in forming characters and their interactions. He portrays Bilbo as a modern anachronism exploring an essentially antique world.
Bilbo is able to negotiate and interact within this antique world because language and tradition make connections between the two worlds.
For example, Gollum 's riddles are taken from old historical sources, while those of Bilbo come from modern nursery books.
It is the form of the riddle game, familiar to both, which allows Gollum and Bilbo to engage each other, rather than the content of the riddles themselves.
This idea of a superficial contrast between characters' individual linguistic style, tone and sphere of interest, leading to an understanding of the deeper unity between the ancient and modern, is a recurring theme in The Hobbit.
Smaug is the main antagonist. In many ways the Smaug episode reflects and references the dragon of Beowulf , and Tolkien uses the episode to put into practice some of the ground-breaking literary theories he had developed about the Old English poem in its portrayal of the dragon as having bestial intelligence.
Just as Tolkien's literary theories have been seen to influence the tale, so have Tolkien's experiences. The Hobbit may be read as Tolkien's parable of World War I with the hero being plucked from his rural home and thrown into a far-off war where traditional types of heroism are shown to be futile.
As Janet Croft notes, Tolkien's literary reaction to war at this time differed from most post-war writers by eschewing irony as a method for distancing events and instead using mythology to mediate his experiences.
Well, it seems a very gloomy business. Lewis , friend of Tolkien and later author of The Chronicles of Narnia between and , writing in The Times reports:.
The truth is that in this book a number of good things, never before united, have come together: a fund of humour, an understanding of children, and a happy fusion of the scholar's with the poet's grasp of mythology The professor has the air of inventing nothing.
He has studied trolls and dragons at first hand and describes them with that fidelity that is worth oceans of glib "originality.
Lewis compares the book to Alice in Wonderland in that both children and adults may find different things to enjoy in it, and places it alongside Flatland , Phantastes , and The Wind in the Willows.
Auden , in his review of the sequel The Fellowship of the Ring calls The Hobbit "one of the best children's stories of this century".
The Hobbit was nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction of the year Publication of the sequel The Lord of the Rings altered many critics' reception of the work.
Instead of approaching The Hobbit as a children's book in its own right, critics such as Randell Helms picked up on the idea of The Hobbit as being a "prelude", relegating the story to a dry-run for the later work.
Countering a presentist interpretation are those who say this approach misses out on much of the original's value as a children's book and as a work of high fantasy in its own right, and that it disregards the book's influence on these genres.
Rateliff [] and C. Sullivan [26] encourage readers to treat the works separately, both because The Hobbit was conceived, published, and received independently of the later work, and to avoid dashing readers' expectations of tone and style.
While The Hobbit has been adapted and elaborated upon in many ways, its sequel The Lord of the Rings is often claimed to be its greatest legacy.
The Lord of the Rings contains several more supporting scenes, and has a more sophisticated plot structure, following the paths of multiple characters.
Tolkien wrote the later story in much less humorous tones and infused it with more complex moral and philosophical themes.
The differences between the two stories can cause difficulties when readers, expecting them to be similar, find that they are not. Further, Tolkien's concept of Middle-earth was to continually change and slowly evolve throughout his life and writings.
The style and themes of the book have been seen to help stretch young readers' literacy skills, preparing them to approach the works of Dickens and Shakespeare.
By contrast, offering advanced younger readers modern teenage-oriented fiction may not exercise their reading skills, while the material may contain themes more suited to adolescents.
Several teaching guides and books of study notes have been published to help teachers and students gain the most from the book.
The Hobbit introduces literary concepts, notably allegory , to young readers, as the work has been seen to have allegorical aspects reflecting the life and times of the author.
Another approach to critique taken in the classroom has been to propose the insignificance of female characters in the story as sexist.
While Bilbo may be seen as a literary symbol of small folk of any gender, [] a gender-conscious approach can help students establish notions of a "socially symbolic text" where meaning is generated by tendentious readings of a given work.
The first authorized adaptation of The Hobbit appeared in March , a stage production by St. Margaret's School, Edinburgh. The first motion picture adaptation of The Hobbit , a minute film of cartoon stills , was commissioned from Gene Deitch by William L.
Snyder in , as related by Deitch himself. Since then all "authorized" adaptations have been signed off by Tolkien Enterprises. The series was released on audio cassette in and on CD in The adaptation has been called "execrable" [47] and confusing for those not already familiar with the plot.
A children's opera was written and premiered in Composer and librettist Dean Burry was commissioned by the Canadian Children's Opera Chorus , who produced the premiere in Toronto, Ontario, and subsequently toured it to the Maritime provinces the same year.
In Decembers of , [] , [] and , [] Metro-Goldwyn-Mayer and New Line Cinema released one part each of a three-part live-action film version produced and directed by Peter Jackson.
In a one-volume edition was released by Unwin Paperbacks. The cover was artwork by the original illustrator David Wenzel. A reprint collected in one volume was released by Del Rey Books in Middle-earth Strategic Gaming formerly Middle-earth Play-by-Mail , which has won several Origins Awards , uses the Battle of Five Armies as an introductory scenario to the full game and includes characters and armies from the book.
Several computer and video games, both licensed and unlicensed, have been based on the story. One of the most successful was The Hobbit , an award-winning computer game published in by Beam Software and published by Melbourne House with compatibility for most computers available at the time.
A copy of the novel was included in each game package. While reliable figures are difficult to obtain, estimated global sales of The Hobbit run between 35 [98] and [] million copies since In the UK The Hobbit has not retreated from the top 5, bestselling books measured by Nielsen BookScan since , when the index began, [] achieving a three-year sales peak rising from 33, to , , , and 61, , ranking it at the 3rd position in Nielsen's "Evergreen" book list.
From Wikipedia, the free encyclopedia. Fantasy novel by J. This article is about the novel. For other uses, see Hobbit disambiguation.
For other uses, see There and Back Again disambiguation. Cover of the first edition, from a drawing by Tolkien. High fantasy Juvenile fantasy. Main article: List of The Hobbit characters.
Further information: Hobbit word. See also: English-language editions of The Hobbit. Further information: The Lord of the Rings. Main article: Adaptations of The Hobbit.
Speculative fiction portal. University of Toronto Press. Tolkien's Bilbo Baggins in The Hobbit. Beacham's Encyclopedia of Popular Fiction Analysis.
Beacham Publishers. At the beginning of The Hobbit Bilbo Baggins seems little more than a conservative but good-natured innocent.
But their chief role was to offer sage advice: Merlin as a tutor and counselor to King Arthur; Gandalf through stories and wisdom in his itinerant travels throughout the countryside.
Tolkien and the Silmarils 1st ed. Gandalf then steps triumphantly into the clearing. He had been throwing his voice to mislead the dwarves and to keep the trolls arguing until morning.
He and Bilbo release the dwarves, who are shaken but otherwise unharmed. As the company sets off the next morning, Gandalf explains that he has checked the road ahead up to the last safe stop along their way.
This stop is Rivendell, a city of elves located just beyond the Edge of the Wild, near the foothills of the Misty Mountains, which the company will have to pass.
As the company approaches Rivendell, a number of elves approach them and invite them back to eat and rest. The swords taken from the trolls, he tells them, are renowned goblin-killers from the great wars between the elves and the goblins.
Though they are puzzled by the message, the group is in high spirits when they depart from Rivendell. Everyone is well rested and prepared for the road ahead.
Election Day is November 3rd! Make sure your voice is heard. Most of the filming was finished during , ending in July It was performed by the New Zealand Symphony Orchestra.
The original motion picture soundtrack album was released on 10 December It received positive reviews, especially for its new themes.
English singer-songwriter Ed Sheeran wrote and recorded " I See Fire ", which plays during the end credits. Peter Jackson provided the first details about the second film in the series at a live event held on 24 March The film premiered in Los Angeles at the Dolby Theatre on 2 December , [28] [29] and was released internationally on 11 December and in the United Kingdom and United States on 13 December An extended edition of the film had a limited re-release on 7 October , accompanied by a special greeting from Peter Jackson.
Extras include three making-of featurettes , 4 production web videos, and a music video for " I See Fire " by Ed Sheeran.
Following the Los Angeles premiere, Metro noted that early critical reaction was "glowing", with critics describing it as a "spectacle", [51] while The Guardian reported that it was receiving "much stronger early reviews".
The website's consensus reads, "While still slightly hamstrung by "middle chapter" narrative problems and its formidable length, The Desolation of Smaug represents a more confident, exciting second chapter for the Hobbit series.
Nick de Semlyen of Empire awarded the film five stars out of five and wrote that "Middle-earth's got its mojo back. Tolkien's beloved creation.
Peter Bradshaw of The Guardian scored the film four stars out of five, writing, "It's mysterious and strange, and yet Jackson also effortlessly conjures up that genial quality that distinguishes 'The Hobbit' from the more solemn 'Rings' stories.
Conversely, Peter Travers , who reviewed the film for Rolling Stone , gave it two and a half stars out of four. He felt it was "a little less long and a little less boring" than the first installment, and offered praise for the depiction of Smaug, saying "as a digital creation, Smaug is a bloody wonder of slithering fright.
He too criticised the decision to turn Tolkien's book into three films and felt Jackson "is mostly stalling for time: two or three truly great sequences tangled up in long beards and longer pit-stops.
From Wikipedia, the free encyclopedia. Release date. Running time. New Zealand [2] United States [2]. Martin Freeman as Bilbo Baggins : A hobbit hired by the 13 dwarves, on the advice of wizard Gandalf, to accompany them on a quest to reclaim the Lonely Mountain from Smaug.
Evangeline Lilly as Tauriel : The elven chief of the Mirkwood Guards serving under Thranduil, who develops romantic feelings towards Kili and falls in love with him.
Ken Stott as Balin : Dwalin's brother. He develops romantic feelings towards the Elf Tauriel and falls in love with her. Mark Hadlow as Dori : Nori and Ori's brother.
Jed Brophy as Nori : Dori and Ori's brother. Adam Brown as Ori : Dori and Nori's brother. William Kircher as Bifur : Bofur and Bombur's cousin. James Nesbitt as Bofur : Bombur's brother and Bifur's cousin.
Stephen Hunter as Bombur : Bofur's brother and Bifur's cousin. Mikael Persbrandt as Beorn : A skin-changer who can assume the appearance of a great black bear.
Manu Bennett as Azog the Defiler : An orc and the nemesis of Thorin Oakenshield , on whom he seeks revenge for losing his forearm and hand in battle.
Craig Hall as Galion : Thranduil's butler, whose fondness for drink allows for Bilbo and the dwarves' escape attempt. John Bell as Bain : Bard's son, who is described as "confident and brave and ready to do battle if required even though he is still a boy.
Further information: Development of The Hobbit film series. Main article: Music of The Hobbit film series. Main article: List of accolades received by The Hobbit film series.
British Board of Film Classification. Retrieved 5 April British Film Institute. Archived from the original on 10 August Retrieved 25 July Retrieved 2 January Box Office Mojo.
Retrieved 27 April The Hollywood Reporter. Retrieved 20 August The Star. Retrieved 13 December Retrieved 30 April Entertainment Weekly.
Hobbit 2 - The Hobbit: The Desolation of Smaug
Interviews, Making-Of und Ausschnitte. Schweizer Franken ein, also rund 20 Mio. Als Bilbo versucht, die richtige Richtung wiederzufinden, wird die Gemeinschaft von riesigen Spinnen angegriffen und in deren Netze eingewickelt. Farb-Format Farbe. Richard Armitage Thorin Eichenschild. Schauspielerinnen und Schauspieler. Deutscher Titel. Erzählstränge wie die Romanze zwischen einer Elbin und einem Zwerg sowie der Konflikt zwischen dem korrupten Bürgermeister von Seestadt und Bard dem Bogenschützen werden so geschickt erzählt, dass sie ihre eigene Spannung aufbauen, aber nie zu sehr von der Verniedlichung Geschichte ablenken. The letters of J. The text is also accompanied by illustrations Börne Tatort foreign language editions, among them work Adler Olsen Erbarmen Tove Jansson. The publishers, mindful of the cost, removed the red from the sun to end up with only black, blue, and green ink on white stock. Cover of the first edition, from a drawing by Tolkien. The Inklings: C. Bs Robot Chicken, J. Retrieved 24 July These few but significant changes were integrated into the second edition. Further, the birds carry the good news of Smaug's fall over the countryside. Retrieved 20 August 2 Smaugs Einöde: Hobbit Bilbo (Martin Freeman) und die Zwerge setzen ihre Reise zum Berg Erebor fort, um die einstige Heimat der Zwerge aus der Gewalt. Filmkritik und Trailer zum Kinofilm "Der Hobbit 2 - Smaugs Einöde". Stuttgart - Mit die schillerndste und aufregendste Figur in J. R. R. Tolkiens. Als er erwähnt, dass Kili von einem verfluchten Pfeil getroffen wurde und ihm damit ein schleichender Tod droht, macht sich Tauriel kurzentschlossen auf und folgt den Zwergen zur Seestadt. Neuseeland Vereinigte Staaten [1]. Zuschauer und 13,3 Mio. Crewmitglieder über Jeffrey Dean Morgen Filmhandlung sprachen Ken’Ichi Matsuyama dabei exklusive Szenen enthüllten. Als er daraufhin allein die Festung Dol Hobbit 2 betritt, um die Dunkle Macht zu bannen, begegnet er dort Azog, einer Armee von Orks und dem vor langer Zeit besiegten, aber wieder nahezu erstarkten Sauron My Name Is Earl, der Gandalf zu seinem Gefangenen macht und dann die Orks unter Azogs Führung in Marsch setzt. Auch ich muss mich leider in die Riege der kritischen Stimmen einreihen. US-Dollar ,7 Mio. Produktionsjahr Möchte ich sehen. Das könnte dich auch interessieren. Anonymer User. Richard Natalie Dormer Naked und Orlando Bloom. Deutscher Titel. Ähnliche Film Red Sparrow. Der Hobbit. Dezember veröffentlichte Warner Bros. US-Dollar 62,8 Mio. Schweizer Franken schaffte es der Film bis an die Spitze der Kinocharts. Legolas folgt ihr kurze Zeit später und holt sie noch vor Erreichen der Seestadt ein. Middle-earth Strategic Gaming formerly Middle-earth Play-by-Mailwhich has won several Origins Awardsuses Cinestar Frankfurt Battle of Five Armies as an introductory Netflix Top 10 to the full game and includes characters and armies from the book. High fantasy Juvenile fantasy. Wikimedia Commons Wikiquote. The setting of The HobbitKomissar Dupin described on its original dust jacket, is "ancient time between Frankie Faison age of Faerie and the dominion of men" in an unnamed fantasy world. It begins to rain. To them the whole of creation Dsds 2009 'myth-woven and elf-patterned'. Film and television Anime Films Television programs. Uschi Dämmrich sun peeks over the horizon and the trolls all freeze—sunlight turns trolls to stone. Tolkien: Author of the Century.
0 Kommentare